Takuji Hamanaka: Negative Circle
Friday, January 23 through Saturday, February 28
Opening Reception: Friday, January 23 from 6:00 p.m. until 8:00 p.m.
Owen James Gallery – 61 Greenpoint Avenue, Suite 315, Brooklyn
Takuji Hamanaka is a master of two worlds. Trained as a professional woodblock printmaker at the Adachi Studio in Tokyo, Japan, the artist has a deep understanding of this pivotal Japanese artform. Since moving to New York in the 1990s, Hamanaka has also worked with contemporary art practices. The result is an elegant hybrid: Unique images created through traditional printing techniques.
The allure of Hamanaka’s work lies in his balance of precision and spontaneity, and of flat surfaces with visual dimensions. Distinct forms and patterns emerge through the application of color woodblock printing and the repetition of the Chine Collé process, where layer upon layer of thin Gampi paper are built upon the surface.
Japanese Gampi paper is one of the three main types of washi (paper) used in many forms of Japanese art. Made from the inner bark of the Gampi bush, it is revered for its ability to be both durable and quite thin. What emerges from Hamanaka’s repeated layers of Gampi paper are images of ethereal beauty, quietly humming with an energy that draws us into each composition.
While all of the works in the exhibition are unified by their materials, there are variances in the structures we observe. Through the Windows, for example, has a central axis to its pattern, where rectangles overlap to create subtle transitions from negative to positive space. Works such as Landsliding and Let Down follow a different path. Their illusions of curvature bring to mind the descriptions of flowing SpaceTime, as the Universe itself bends to the will of the Gravity and Dark Energy that infuses it.
Hamanaka takes his process a step further in Argyle and Where Are We Supposed to Go? Here, we see the hand of the artist emerge, as he delicately makes fine incisions into the collaged surface, allowing the white subsurface to be revealed. These lines, while somewhat geometric, are slightly wavy and imperfect, and are an interesting counterbalance to the pristine nature of the Gampi layers that they cut through. Basket is yet another turn in the road for Hamanaka. Here he has overlapped his own process, and color now plays a more central role. The Gampi layers have taken on new forms altogether, leading to another body of work.
Takuji Hamanaka brings us a completely new way of enjoying timehonored techniques, and changes our understanding of printmaking itself.
For more information, please visit Owen James Gallery’s website.