Japanese Ceramic Tableware from Tochigi
Tuesday, February 7 through Saturday, February 11
Opening Reception: Tuesday, February 7 from 6:00 p.m. until 8:00 p.m.
Onishi Gallery – 521 W. 26th Street (between 10th and 11th Avenues)
Onishi Gallery hosts a stunning exhibition organized by Tochigi Prefectural Government in cooperation with the Conference for Promoting Tochigi Prefecture Ceramic Production. The opening reception will feature remarks via video message by Tomikazu Fukuda, Governor of Tochigi Prefecture, at 6:30 p.m.
Tochigi prefecture, located 62 miles north of Tokyo, attracts many tourists for its beautiful nature, hot springs, and its world heritage shrines and temples of Nikko. Nikko, a small city in the mountains, is the site of Toshogu, the famed Shinto shrine established in 1617 as a lavish memorial for Tokugawa Ieyasu, founding ruler of the Tokugawa shogunate, or Edo Period. The shrine is comprised of the gilded Yomeimon Gate, the main sanctuary set in a cedar grove and the tomb itself. The prefecture is also known as a place rich in craftsmanship, from traditional artisans to high-tech companies, but is most famous for its ceramic ware.
Featured Ceramic Wares:
- Mashiko ware
Mashiko ware emerged in the 1850s and spread widely throughout the Metropolitan area of East Japan. Its products, mainly housewares such as pots, came to be recognized as works of art in the 1920s due to their beauty. They were also useful in ordinary life, however, and so thus became one of the crafts that represented the Japanese folk art movement known as “Mingei.” Today’s beautiful Mashiko ware developed from everyday utilitarian tableware.
- Koisago ware
Koisago ware arose in 1830, when the lord of the Mito clan, Nariaki Tokugawa, started using Koisago clay at the Mito clan’s pottery barn. When kilns were built in Koisago in the 1850s, pottery making in Koisago officially began. The main characteristic of Koisago ware is the use of gold crystals with black glaze and copper red glaze.
- Mikamo ware
Mikamo ware is a fairly recent style of pottery that began in Iwafune-cho, the southern part of Tochigi, in the 1970s. Braziers and flowerpots were commonly made in this area due to its richness in clay and firewood, and that same technology was used to make Mikamo ware. The soil used contains a high concentration of iron, which makes each piece simple yet elegant.
In addition to featuring these traditional arts for the first time in New York City, this exhibition will showcase the ceramic artwork of New York-based sculptor Yasumitsu Morito, who hails from the Mashiko district. In 2011, the governor of Tochigi awarded Morito the title of Cultural Ambassador of Tochigi Prefecture in New York for his dedication to his craft and his work conveying his hometown experience while merging Eastern and Western aesthetics. Sculpting Western-positioned human figures together with Eastern-crafted vases and pots, Morito’s work raises questions about the aesthetic and practical functions of ceramics and the boundaries between cultures.
For more information on the exhibition, please Onishi Gallery’s website.