Kasama, Ibaraki, Japan, NYC, The Nippon Club, Kasama ware, pottery, Kosei Matsui

Kasama Pottery with Free Style at The Nippon Club 🗓 🗺

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Kasama Pottery with Free Style: Living National Treasure Kosei Matsui and modern ceramic artists (Hiroyuki Onuki, Koji Toda and Akio Nukaga)

Thursday, January 31 through Wednesday, February 27

The Nippon Gallery at The Nippon Club – 145 West 57th Street, 7th Floor

Admission: Free

What is Kasama Ware?

Kasama ware is the characteristic pottery of the Kasama City area of Ibaraki Prefecture. Along with the nearby town of Mashiko, Kasama is known as one of the major ceramics production centers of the Kanto region. Though today it is a governmentally recognized traditional craft, the path leading to this status was long and winding.

Kasama ware can be traced back to the An’ei years (1772-1781) of the Edo Period (1603-1868). It’s said to have originated when Hanemon Hisano, the head of the town of Hakoda (now a region of Kasama City), invited ceramist Choemon from the town of Shigaraki in Omi Province (today’s Shiga Prefecture) to build a kiln. Later, Kasama’s feudal lord, Makino Sadaharu, implemented a policy of pottery advancement, resulting in increased production of daily goods such as pots and mortars using Kasama ware.

Due to its resemblance to the style of pottery produced in Edo (today’s Tokyo), numerous workshops in Kasama began mass production from the end of the Edo Period to the Meiji Period (1868-1912), developing into a major industry. Even after entering the Meiji Period, with 19 workshops, Kasama was known as a production center for kitchen implements made using coarse earthenware. Thereafter, cooperation between the government and private industry led to research on glaze and clay, as well as increased training of ceramic artists. As a result, Kasama ware successfully developed from coarse earthenware for kitchen utensils to an artistic craft, in which form it continues to this day.

Qualities of Kasama Ware

Kasama ware’s unique feel comes from Kasama clay’s excellent plastic and adhesive qualities. Kasama ware is durable and stain-resistant, developing unique characteristics the more it is used. Today, artists from both Japan and abroad who aspire to become potters come to Kasama and create new Kasama wares with their innovative, original designs. Some of the workshops still in operation today were making Kasama ware during the Edo Period. Blessed with history and tradition, as well as a new generation of ceramic artists who continue to realize innovative ideas, Kasama ware is sure to continue to be passed on to future generations.

Kasama, Ibaraki, Japan, NYC, The Nippon Club, Kasama ware, pottery, Kosei Matsui
Jar, [Neriage], glaze-marbleized by Kosei Matsui
Kosei Matsui, a designated living national treasure, fused traditional techniques with his own creative expression to craft beautiful ceramics. This exhibition showcases some of the finest examples of Matsui’s works. Matsui was a master of the traditional ceramic technique called neriage, which uses two types of clay to create delicate marbled patterns on the surface of the ware.

About the Exhibition

At this exhibition, organized by The Nippon Club in conjunction with Ibaraki Prefecture, fragments of pottery by Kosei Matsui will be exhibited, allowing guests to see a different view of his works and feel them directly in their hands. These fragments, which are exhibited at the Ibaraki Prefectural Ceramic Art of Museum, are the remains of a damaged pottery in Matsui’s studio during the Great East Japan Earthquake of March 11, 2011.

In addition, the works by three of the most up-and-coming modern ceramic artists, Hiroyuki Onuki, Koji Toda, Akio Nukaga, will be exhibited. Their guinomi (sake cups) and sake bottles, made as part of the Sake and Pottery Project between Kasama ware and a sake brewery in Ibaraki Prefecture, will be on display. Through this project, the pottery artists taste sake and then make special guinomi in the image of how the artists depict the taste of sake to look. The Nippon Club will introduce the project through videos as well.

The guest curator of this exhibition is Mie Tsunobe. JCC Fund (Japanese Chamber of Commerce & Industry of New York, Inc.), Sekisho Co., Ltd., and SECOM Co., Ltd. are sponsors of this exhibition, which is supported by the Consulate General of Japan in New York; The Japan Foundation, New York; the Ibaraki Art Ceramic Museum; and Kasama City, Ibaraki, Japan.

For more information, please visit The Nippon Club’s website.