Setsuko Winchester’s Freedom from Fear/Yellow Bowl Project Artist Talk at AAARI 🗓 🗺

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Asian American/Asian Research Institute Artist Talk: Freedom from Fear/Yellow Bowl Project with Setsuko Winchester

Friday, October 25 from 6:00 p.m. until 8:00 p.m.

The City University of New York – 25 W. 43rd Street (between 5th and 6th Avenues), 10th Floor, Room 1000

Admission: Free

Setsuko Winchester, Japanese American ceramic artist, photographer and journalist will discuss her conceptual art work, Freedom from Fear/Yellow Bowl Project. The FFF/YBP is an attempt to shine a new light onto an old aspect of America’s history with race and ethnicity, prejudice and bias, and how they shaped this country’s ideas of freedom, justice, and citizenship.

This project was inspired by and timed to explore the idea of the Four Freedoms as first expressed by President Franklin D. Roosevelt in his famous 1941 speech. A little over a year later, on February 19, 1942, following the Japanese military’s bombing of Pearl Harbor, President Roosevelt would sign Executive Order 9066, which gave the U.S. military authority to round up and imprison any person it deemed necessary from the western half of the United States, declaring it to be a military zone. This included anyone with more than 1/16th “Japanese blood.” Eventually more than 120,000 individuals of Japanese descent would be incarcerated in ten U.S. concentration camps. Nearly two-thirds of these individuals were American citizens, and a third of them were children. No one was ever found guilty of treason or espionage by the U.S. government.

In 2015, Winchester created and took 120 hand-pinched yellow tea bowls (each representing 1,000 individuals) to all ten of the U.S. concentration camps that had been created during World War II to incarcerate the 120,000 U.S. citizens of Japanese ethnicity, and their parents or grandparents, who were excluded by law from naturalizing. Winchester glazed the tea bowls yellow to represent “The Yellow Peril” as Asians have historically been called, and made them of clay because ceramic pieces are often the last remaining vestiges of a culture or civilization found in archeological sites. She hand-pinched each bowl to symbolize the fact that these incarcerated people were individuals, and not one monolithic entity.

In addition to the ten U.S. concentration camps, other project sites include the steps of the Supreme Court, Four Freedoms Park in New York City, the Memorial to Japanese American Patriotism in Washington, D.C., and Norman Rockwell Museum in Stockbridge, Massachusetts. More recently, Winchester documented FFF/YBP at several U.S. World War II internment camps (different from the military-run U.S. concentration camps) that were used by the Department of Justice to detain mostly German, Italian, and Japanese foreign nationals. In 2018, the National Park Service gave Setsuko permission to create a site-specific image in Ellis Island’s Great Hall. And in 2019, she was invited to create two new site-specific images, one at Honouliuli, the newly discovered internment camp in Honolulu, Hawaii (now part of the National Parks Service), and a special site overlooking Punch Bowl Cemetery and all of downtown Honolulu, including Pearl Harbor.

For more information about Setsuko Winchester, please visit her website. Please AAARI’s website to RSVP for this talk.

Featured photo ©Setsuko Winchester