No Friend to Girls: Kawabata Yasunari, Shōjo no tomo, and the Appropriation of Girls’ Culture
Thursday, July 15 at 8:00 p.m. EDT
Livestream on YouTubeLive
Japan Foundation, New York is hosting the fourth session of “Illuminating Japanese Studies: Lecture Series with Former JF Fellows.”
About the Event
In this lecture, JF Former Fellow Deborah Shamoon will reevaluate Kawabata Yasunari’s fiction. She will focus specifically on his involvement with the girls’ literary magazine Shōjo no tomo and his appropriation of girls’ culture.
Kawabata Yasunari (1899-1972) is Japan’s first Nobel laureate in literature, best known for highbrow novels such as Yukiguni (Snow Country, 1935-1947). But in the 1930s and ‘40s, Kawabata was deeply involved with the girls’ literary magazine Shōjo no tomo (The Girls’ Friend) as an editor and an author of novels for girls (shōjo shōsetsu).
Shamoon will analyze the novels Otome no minato (The Girl’s Harbor, 1937-1938) and Utsukushii tabi (Beautiful Journey, 1939-1941). Kawabata’s use of the idealized shōjo is consistent in his writing for girls and adults. It is also a parallel to the fascist aesthetics and colonial ideology in his work of this time period.
A live Q&A with JF Former Fellow Melek Ortabasi will follow the discussion.
To RSVP for this event, please visit Japan Foundation, New York’s Eventbrite page. Share your questions on your registration form. You may also participate in the discussion by sharing your questions in the YouTubeLive chat during the livestream. To view the previous three lectures from this series, please visit Japan Foundation’s website.
About Deborah Shamoon
Deborah Shamoon is Associate Professor in the Department of Japanese Studies at the National University of Singapore. She received a PhD in modern Japanese literature and film from the University of California, Berkeley and was a Japan Foundation Fellow in 2003 and 2009 at Waseda University.
Her publications include Passionate Friendship: The Aesthetics of Girls’ Culture in Japan (University of Hawai’i Press, 2012), “The Girl in the Whirlpool: Girls’ Culture (Shōjo Bunka) in Tanizaki’s Manji” [U.S.-Japan Women’s Journal 57.1 (2020): 3-20], and “Class S: Appropriation of ‘Lesbian’ Subculture in Modern Japanese Literature and New Wave Cinema” [Cultural Studies 35.1 (2020): 27-43].
About Melek Ortabasi
Melek Ortabasi is Associate Professor and Chair of the Department of World Languages and Literatures at Simon Fraser University in Vancouver, Canada. Her latest book, The Undiscovered Country: Text, Translation and Modernity in the Work of Yanagita Kunio, was published in 2014 by Harvard University Asia Center. She is currently working on two projects: a book manuscript on transnationalism and modern Japanese children’s literature, as well as a comparative Digital Humanities project on the childhood memoir, which incorporates materials primarily in Japanese, German, and English.
She was a 2007/2008 Japan Foundation Fellow and is thrilled to be headed to Japan in the fall as a 2020/2021 Fellow.
About Japan Foundation’s Fellowship
Since the Fellowship program began in 1972, there have been more than 1,000 American Fellowship recipients who study a diverse range of research topics from pre-modern history to pop culture and everything in between. This series illuminates what exactly Japanese Studies can teach us, not only about Japan but about the world. For more information about the Fellowship and Japan Foundation, New York, please visit JFNY’s website.