Kurosawa Oscar-Winner at Film at Lincoln Center

Dersu Uzala at Film at Lincoln Center

Sunday, January 28 at 6:15 p.m.
Tuesday, January 30 at 6:30 p.m.

Walter Reade Theater – 165 W. 65th Street

Admission: $17 General Public | $14 Students | $12 JapanCulture•NYC Members (with Discount Code)

In Akira Kurosawa’s storied career, the Japanese director won two Oscars and a 1990 Lifetime Achievement Award. His first Oscar came in 1951 for Rashomon, and his second was for the 1975 Soviet film Dersu Uzala.

Film at Lincoln Center is featuring the film that garnered Kurosawa his second Academy Award as part of its series Never Look Away: Serge Daney’s Radical 1970s, a tribute to the French film critic Serge Daney and the films he championed in his book La Rampe, a collection of essays about cinema. From this lineup, Dersu Uzala captures an endangered way of being in the world, in which the encounter between a Russian military geographer and a Nanai hunter leads to an unexpected friendship. The series runs from Friday, January 26 through Sunday, February 4 with Dersu Uzala screening on both Sunday, January 28 and Tuesday, January 30. Don’t miss this rare opportunity to see the film on the big screen! To purchase tickets, please visit Film at Lincoln Center’s website.

Film at Lincoln Center is giving an exclusive opportunity for members of JapanCulture•NYC! Members will receive the discount code to use for $5 off tickets to a screening of Akira Kurosawa’s Dersu Uzala. Not a member? Please click here to register. Your membership fee of $5 a month helps defray the costs of running JapanCulture•NYC and keeps everyone informed about All Things Japanese in New York City.

Dersu Uzala. Used with permission from Film at Lincoln Center

Dersu Uzala

Dir. Akira Kurosawa | 1975 | Japan/Soviet Union | Russian and Chinese with English subtitles |  35mm | 142 minutes

In Akira Kurosawa’s Oscar winner for Best Foreign Language Film, an unexpected friendship arises between a Russian military geographer and the Nanai hunter he has hired to guide his expedition across the Siberian taiga. After the baffling fiasco of his previous film, Dodes’ka-den, and his subsequent suicide attempt, Kurosawa experienced an artistic rebirth with this Soviet-produced ode to wilderness, replacing the dynamic montage of his earlier films with stately widescreen compositions that capture the Russian Far East in all its forbidding beauty. In celebrated scenes like the expedition’s encounter with an Amur tiger (no CGI here) and the blizzard in which famed geographer Vladimir Arsenyev is saved by the titular hunter, Kurosawa pays tribute to once-indomitable nature on the verge of being encroached upon by the Trans-Siberian Railroad, capturing an endangered way of being that resonates ever more strongly in our era of climate disaster and rampant capitalism.

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