Lee Young Kwok, better known by his childhood nickname, Corky, was a self-taught photojournalist who documented the everyday lives and struggles of members of the Asian American community in New York and beyond. Lee roamed the streets of Chinatown and practically every neighborhood in Manhattan, photographing everything from celebrations and festivals to protests and rallies in equal measure. Those who saw Lee’s work received a lesson in culture, history, and politics. There was Lunar New Year in Chinatown, a Yuri Kochiyama speech at a Japanese American Day of Remembrance program, a protest against police brutality that actually resulted in police brutality.

His photographs graced the pages of various publications, including The Village Voice, Downtown Express, The New York Post, and The New York Times. He had gallery exhibitions at institutions from New York to LA and places in between. Lee did this at a relentless pace for fifty years, until his death from COVID-19 in January 2021.

For almost twenty of those years, filmmaker Jennifer Takaki followed Lee with a camera of her own, documenting the documentarian. The result is the 2022 film Photographic Justice: The Corky Lee Story, which made the film festival circuit for more than a year and recently had a successful theatrical run at the DCTV Firehouse Cinema in New York as well as at theaters in LA. An edited version of the film premieres on PBS on Monday, May 13, presented by the Center for Asian American Media as part of the network’s Asian American, Native Hawaiian, and Pacific Islander Heritage Month.

Takaki named her documentary after a phrase that Lee often used to describe his work. He would say, “I’m practicing photographic justice,” or declare that taking a certain picture was “an act of photographic justice.”

“It's the whole reason that Corky started his trajectory of his documentation of the AAPI community,” Takaki explains.

Takaki says that Lee coined the phrase in 2002, when he was interviewed by The New York Times after he recreated the historic 1869 Transcontinental Railroad photograph taken to commemorate the railroad’s completion in Utah. The original photographer excluded the Chinese laborers who helped build the railroad. In Lee’s recreation, he photographed the descendants of those Chinese men.

“I knew that that was a very pivotal moment. I knew it was a very pivotal photograph that, at that time, would have been the defining photograph,” Takaki says. “For me, [the phrase “photographic justice”] is a really important message because it's everything [about] why Corky does what he does. Which is why I started filming him anyway—to figure out why Corky does what he does.”

A chance encounter with Lee at an event led to Takaki’s curiosity about why the photographer spent all his free time photographing the community.

“He just showed me where the bathroom was and talked about the history of the building. I was like, ‘Who are you?’ And then he started to talk about everything he did,” Takaki says. “I started to follow him. I was going to do five-minute vignettes on people who had a singular focus. That's kind of what started me on my trajectory.”

With a background in television production, Takaki is no stranger to the camera and storytelling. She worked in news in Denver, Hong Kong, and New York, adding entertainment and corporate videos to her portfolio along the way. Lee introduced Takaki, a Japanese American, to fellow filmmaker and Japanese American Stann Nakazono. Together, the two formed an important community group known as ZAJA, where Japanese Americans network and support each other at monthly meetings held in the home of JA leader Julie Azuma. Lee was an honorary member from day one.

Filmmaker Jennifer Takaki. Photo Credit: All Is Well Pictures

During the nineteen years that Takaki followed Lee, she refined and distilled how she would present his story. Originally, the film’s ending was going to be one of the recreations of the Transcontinental Railroad photographs in Utah that Lee organized. Sadly, his death forced Takaki to add his funeral scene to the end instead.

But that is not the end of Corky Lee’s story. To Takaki, nearly two decades after starting the film, her work is just beginning. Photographic Justice has given her the opportunity to introduce Lee to audiences across the country, giving him a well-deserved moment in the spotlight, even in places where she believed Lee should have already been popular.

“What I was surprised about the most was that a lot of the AAPI communities did not know who Corky was,” Takaki says of the screenings she’s attended for the film. “We were just in Oregon, and . . . it was a sold-out show. I asked, ‘Who knew Corky?’ Only two people raised their hand. One of them happened to be from New York and literally knew Corky. I think that that's what surprises me. And that was an Asian American community; that was an Asian American event. I think that just shows that we have so much work to do. But I think it's also great that people are getting out to these events and seeing the film.”

Despite Lee’s relative anonymity outside of New York, Takaki has been pleased with the reaction to her film.

“I do think that it resonates with people and that they will forward it to people,” she says. “I also love the community—generally the filmmaking community—because I think everyone is so supportive of each other's films, and everyone wants to help each other get the word out. I always say it's the Corky Factor. You know there's that Corky Factor that makes people want to help. It's the reason that I have such a great group of people supporting me now. It's the reason that the film got finished. It's the reason the film's getting out. It's that Corky Factor that is undeniable. There is a Corky Factor to everything I do.”

The late-April theatrical release at DCTV’s Firehouse Cinema was particularly gratifying to Takaki. Ahead of the week of sold-out screenings with Q&A sessions, Takaki shared her excitement.

“There are so many things about it that are special. First of all, I have so much respect for [DCTV founders] Keiko and John Alpert. I love them. Also, they were comrades of Corky. They were so kind and generous to me during the whole time I worked on this film, showing so much support for it. Keiko watched the film, and she let me go through their archives. That’s just who they are as people, so that makes it special right there. But the fact that it's in Chinatown and that we will be having panelists who are part of Chinatown and part of the community and part of Corky’s story is so special.”

She wanted packed houses at DCTV, and New Yorkers delivered. But Takaki won’t be satisfied until Corky reaches superstar status. She has put pressure on herself and the community at large to “make sure we do Corky justice.”

“I want people to talk about Corky,” she says. “I want Corky to kind of become like Bruce Lee, you know? To be so synonymous, so outside of his own realm, that people know who he is, and he becomes a cultural figure, an icon in his own right. Because of what he means to so many. Because that whole pride, confidence, and sense of belonging that he brings such joy to anyone who had the pleasure of knowing him. Just his photos alone. If you know Corky, then you care about his photos. And then through that, you can learn the history of so many different peoples and communities.”

With Lee gone, the community lost not only a friend, but a large piece of coverage and advocacy is missing as well. Takaki thinks that people are continuing Lee’s legacy of photographic justice “in a diffused way,” but she places the onus on all of us to take up the mantle.

“When Corky was around, all you had to do was tell him that this was something important, and then he would show up,” Takaki says. “I don't know [everything that’s] going on in the AAPI community, but I do know that if you go to events and you don't see anyone taking photographs, then it becomes your responsibility to cover it.”

Takaki explains that the best place to start is to highlight and document community organizers and people who are doing good in the community. While there is no replacement for someone like Corky Lee, learning about his legacy and emulating his dedication can only help.

Photo Credit: Jennifer Takaki, All Is Well Pictures

If Lee were still alive, Takaki believes he would be documenting the meetings about and protests against the building of a new jail in Chinatown, something he had already started to do before his death. Of course, we would still see him at yearly community events, especially during May, AAPI Heritage Month.

Of the thousands of photographs Lee took, Takaki says her favorite is of a Sikh man who had wrapped the American flag around him at a candlelight vigil in Central Park following the terrorist attacks on September 11, 2001.

“Obviously, it's just such a beautiful image,” Takaki says. “I like Corky's explanation of people back on 9/11 who used the flag as protection [from discrimination]. It's such a beautiful and yet kind of sad but poignant photo.”

Indeed, the image is one just example of the many acts of photographic justice by Corky Lee.

To learn how you can watch Photographic Justice: The Corky Lee Story or to host a screening, please visit the film’s website and follow @corkyleestory and @wherescorkylee on Instagram and Facebook for updates.

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Susan McCormac 4/13/24 Susan McCormac 4/13/24

George Takei: My Lost Freedom

An Evening with George Takei

Tuesday, April 16 at 8:00 p.m.

Peter Jay Sharp Theatre at Symphony Space – 2537 Broadway at 95th Street

Admission: $32-$48

Embark on an extraordinary evening with esteemed actor, activist, and New York Times bestselling author George Takei! In this captivating Q&A session moderated by BD Wong (Awkwafina is Nora from Queens), Takei delves into his illustrious career, spanning from Star Trek to Broadway, and culminating with the unveiling of his debut picture book, My Lost Freedom.

Purchasing a ticket will ensure admission and an exclusive, autographed copy of My Lost Freedom, which is scheduled for release on the same day as this event, April 16, 2024.

There are a limited number of companion tickets that do not include a book. To purchase a companion ticket, add both a standard ticket and a companion ticket to your cart. The companion ticket will be discounted at checkout. Companion tickets are only available to purchase with a full-price ticket and do not include a copy of the book. All other in-person tickets come with a signed copy of My Lost Freedom. To purchase tickets, please visit Symphony Space’s website.

Please note: There will not be a book signing at this event.

Susan McCormac 4/2/24 Susan McCormac 4/2/24

Japanese German Pianist to Make NY Phil Debut

Alice Sara Ott Performs Ravel

Thursday, April 4 at 7:30 p.m.
Friday, April 5 at 11:00 a.m.
Saturday, April 6 at 8:00 p.m.

Wu Tsai Theater, David Geffen Hall – 10 Lincoln Center Plaza

Admission: $115 to $263 (plus fees)

In her New York Philharmonic debut, Japanese German pianist Alice Sara Ott performs Ravel’s lush, jazz-influenced G-major Piano Concerto. The program, led by Karina Canellakis, who is also making her NY Phil debut, begins with Webern’s remarkably spare, yet haunting Six Pieces. The concert’s two-tone poems look past earthly life: Richard Strauss’s meditation on the death of an artist and Scriabin’s mystical and rhapsodic Poem of Ecstasy.

Program

Webern – Six Pieces for Orchestra, Op. 6 (1928 version)
R. Strauss – Tod und Verklärung (Death and Transfiguration)
Ravel – Piano Concerto in G major
Scriabin – Le Poème de l’extase (The Poem of Ecstasy)

To purchase tickets, please visit NY Phil’s website.

Star Pianists

This concert is part of NY Phil’s Star Pianists series. Experience breathtaking virtuosity, timeless melodies, and exciting premieres with this season’s star pianists. The series features captivating performances of classical and contemporary works all season long.

About Alice Sara Ott

Thirty-five-year-old Alice Sara Ott was born in Munich. Her father is a German engineer, and her mother is a Japanese pianist. In a 2022 article in music website Interlude, Ott says of her Japanese heritage, “My whole life was spent questioning: Am I German? Am I Japanese? What am I? I found my answer when I became a musician because in music, nationality doesn’t matter at all.” Learn more about Ott through her website and Instagram.

Susan McCormac 3/21/24 Susan McCormac 3/21/24

Asian Restaurant in NoMad Hortus NYC Introduces Jazz Nights

Under the direction of Executive Chef Geo Park, Hortus NYC in NoMad offers an Asian culinary journey with a European twist. Chef Park and Managing Partner Suhum Jang (Per Se, Daniel, Jungsik) have created a menu that seamlessly blends the flavors of China, Japan, Korea, and Southeast Asia.

Hortus NYC’s Japanese offerings include Hamachi in yuzu kosho sauce with cucumber, pickled peppers, and blood orange; and Sea Urchin Donabe, which consists of ikura and cured egg yolk over a bed of nori rice served in a clay pot topped with uni. Chef Park uses Japanese seasonal ingredients such as miso, daikon, edamame in many of his dishes. Beverages include Japanese craft beer such as Stout Echigo and Pale Ale Kanazawa, Junmai ginjo and Junmai sakeby the glass, and unfiltered rice wine. The program menu also features the Hortus Pour, a red wine, white wine, or sake that Jang has personally chosen at an approachable price point.

Hortus NYC Jazz Nights

In addition to delectable food, the stylish restaurant has a vibrant ambiance. This week they introduced Jazz Nights, a blend of delicious cuisine and soulful live jazz music, every Wednesday and Thursday evening which started March 20.

Guests can experience the harmonious performances of Japanese husband-and-wife duo Chika & Tatsuya on Wednesdays and distinguished NYC-based Asian Jazz group Jinjoo Yoo Trio every Thursday. From 7:00 p.m. until 10 p.m., Hortus NYC’s 2nd-floor lounge area will be filled with swanky music, offering guests three hours of entertainment to accompany their meal.

Upgrade your viewing experience by dining on their menu of Asian fare

Wagyu Sotbap — A5 Miyazaki Wagyu, cured egg yolk, and micro greens
King Crab Noodle — fettuccine dressed with mala cream sauce, shallots, and scallion
Truffle Donabe with wild mushrooms and cured egg yolk topped with shaved black truffle

While listening, indulge in Hortus NYC’s low-ABV cocktails

Passion on the Beach — a blend of Jinro, plum sake and rosemary
Oolong High — oolong tea, soju, lemon, and cane sugar
5th Ave — a mix of Jinro 24, Hwayo 23, tonic, mint, and lime

About Hortus NYC

The name Hortus NYC, Latin for “garden,” reflects the emphasis on freshness, and the theme of the garden runs throughout the interior. Divided into four distinct areas, the first floor is dedicated to bar dining with an open kitchen and a Chef’s Table. The second floor contains an adjoining glass-enclosed hidden garden oasis complete with lights hanging above for a warm and intimate glow in the evening as well as the main dining room, which offers exquisite views of the illuminated stained-glass windows at the Marble Collegiate Church across the street.

Plan Your Visit

Hortus NYC

Address:
271 Fifth Avenue (between 29th and 30th Streets)

Phone:
646-858-3784

Hours:
Sunday through Wednesday from 10:30 a.m. until 3:30 p.m. and 5:30 p.m. until 10:30 p.m.
Thursday through Saturday from 10:30 a.m. until 3:30 p.m. and 5:30 p.m. until 11:00 p.m.

Website:
hortusnyc.com

Instagram:
@hortusnyc

Susan McCormac 3/15/24 Susan McCormac 3/15/24

CELEBRATE ANIME AT JAPAN VILLAGE

Anime Matsuri

Saturday, March 16 from 11:00 a.m. until 7:00 p.m.

The Loft at Japan Village (2nd Floor) – 934 3rd Avenue, Brooklyn

Admission: Free

A FESTIVAL FOR ANIME LOVERS AND COLLECTORS ALIKE!

Pokémon power couple Tenshi & Zilla teams up with Japan Village to present Anime Matsuri! Experience a full day with vendors selling anime merch; delicious food such as onigiri, ramen, and katsu; a cosplay event; a Pokémon Unite meetup group; networking; and much more!

Doors open at The Loft on the second floor of Japan Village. The cosplay contest runs from 1:00 p.m. until 4:00 p.m.

The event is free, but RSVP for exclusive giveaways. To register, please visit Anime Matsuri’s website.

Special Guest: Emily Cramer, voice actor/singer

Based in New York City, Emily Cramer is a voice actor and singer with an established performance background as a Broadway character actor. Her voiceover work can be heard internationally in commercials, animated television shows and movies, dark rides, audio dramas, and video games.

Her most notable animation credits come from across the Pokémon franchise in Sun & Moon, Journeys, Paldean Winds, and Cat's Kitchen, the Yu-Gi-Oh! franchise in Arc-V, VRAINS, Sevens, Duel Links, and Rush Duel, as well as other titles such as Genshin Impact, Battle Game In 5 Seconds, EDF World Brothers, Bread Barbershop, Snack World, Back to Back, and Dinocore Evolution, and Bloom on season 8 of The Winx Club. To learn more about Emily, please visit her website.

Anime Matsuri is sponsored by Japan Village, Book•Off, and Tenshi & Zilla.

Susan McCormac 2/13/24 Susan McCormac 2/13/24

Explore the Family Dynamic at Japan Society

Family Portrait: Japanese Family in Flux

Thursday, February 15 through Saturday, February 24

Japan Society – 333 E. 47th Street (between 1st and 2nd Avenues)

Admission: $16 General | $14 Seniors, Students, and Persons with Disabilities | $12 Japan Society Members (unless otherwise noted)

Presented by Agency for Cultural Affairs, Government of Japan and Japan Society, Family Portrait: Japanese Family in Flux examines the shifting dynamics and struggles of the Japanese household in contemporary cinema. Showcasing ten features, including premieres and revivals, Family Portrait confronts the complexities of familial bonds in the face of adversity—from intergenerational gaps to changing mores and traditions—bringing to question what truly defines a family and its values in a modern world.

Series highlights include the U.S. Premiere of Kazuyoshi Kumakiri’s Yoko, starring Academy Award-nominated actress Rinko Kikuchi in a bravura performance as a woman hitchhiking more than 400 miles to her father’s funeral; the U.S. Premiere of Keiko Tsuruoka’s Tsugaru Lacquer Girl, the heart-tugging story of a family lacquerware business on the brink of collapse run by Kaoru Kobayashi of Midnight Diner fame and the daughter who strives to carry on its legacy despite deeply held traditional gender beliefs; and a Classics slate featuring a rare 35mm presentation of Yasujiro Ozu’s Tokyo Twilight.

A special spotlight will shine on director Ryota Nakano, who has spent his career keenly capturing the complex feelings of families when faced with adversity. His latest film, The Asadas, centers on the power of family in the aftermath of the Fukushima tragedy and will be presented along with his two previous works, A Long Goodbye and Her Love Boils Bathwater. Nakano will appear in person at Family Portrait: Japanese Family in Flux to speak during select screenings and take part in a reception.

To purchase tickets, please visit Japan Society’s website, and visit IFC Center’s website to purchase tickets to the screening of Yoko on February 22.

© 2008 “Still Walking” Production Committee

Lineup and Schedule

Still Walking
Thursday, February 15 at 7:00 p.m.
Dir. Hirokazu Kore-eda | 2008 | 114 min. | Japanese with English subtitles. |. With Hiroshi Abe, Yui Natsukawa, Kirin Kiki, Yoshio Harada

The Yokoyama family gathers for an annual commemoration of the eldest son, Junpei, who drowned 15 years ago while saving someone’s life. Over the course of the day, suppressed tensions and resentments are gradually revealed amidst forced pleasantries and shared meals as second son Ryo (Hiroshi Abe) endures feelings of inferiority in front of his curmudgeon father (Yoshio Harada) and passively judgmental mother (Kirin Kiki), both of whom disapprove of his recent marriage to a widow (Yui Natsukawa) with a ten-year-old son. Dedicated to his late mother, Hirokazu Kore-eda’s 2008 drama is among his most personal films—a masterfully directed, emotionally nuanced expression of the love, heartbreak, and comfort within family relationships—and a modern classic of Japanese cinema.

Tsugaru Lacquer Girl
Friday, February 16 at 7:00 p.m.
Dir. Keiko Tsuruoka | 2023 | 118 min. | Japanese with English subtitles | With Mayu Hotta, Kaoru Kobayashi
U.S. Premiere

Traditional tsugaru-nuri lacquerwork is the Aoki family’s legacy, but their business is in decline and father Seishiro (Kaoru Kobayashi) doesn’t know if it will continue to the next generation. The family’s only hope is daughter Miyako (Mayu Hotta), but her desire to lead the family business upsets generations of customs, established gender roles, and Seishiro himself. Tsugaru Lacquer Girl vividly celebrates one of Japan’s most traditional arts and asks poignant questions about history, family, and if the past has a place in the future.

Muddy River
Saturday, February 17 at 4:00 p.m.
Dir. Kohei Oguri | 1981 | 105 min. | Japanese with English subtitles | With Takahiro Tamura, Yumiko Fujita, Mariko Kaga, Nobutaka Asahara

Taking place in working class Osaka eleven years after Japan’s defeat, Kohei Oguri’s naturalistic debut detailing an unforgettable summer friendship between two young boys is tinged with a poetic melancholy. Seen through the eyes of ten-year-old Nobuo, whose world is governed by the riverside traffic of sputtering barges, fishing boats, and a “monstrous carp,” Muddy River dwells on Nobuo’s last days of innocence as he befriends poor river dweller Kiichi, who lives nearby with his sister and mysterious mother (Mariko Kaga) on a ramshackle houseboat. Caught in the lives of its worn-down and impoverished residents—some still living the war, others dreaming of a new life—Oguri’s stunning black-and-white feature remains a heart-wrenching portrait of postwar Japan and its afflictions, the effects of which reverberate deep within the wordless exchanges and crestfallen faces of its downtrodden subjects.

Tokyo Twilight
Saturday, February 17 at 7:00 p.m.
Dir. Yasujiro Ozu | 1957 | 140 min. | Japanese with English subtitles | With Setsuko Hara, Ineko Arima, Chishu Ryu

In the thick of the industrial hums and billowing smokestacks of postwar Tokyo, Yasujiro Ozu’s crepuscular drama concerns the lives of elderly Shukichi’s (Chishu Ryu) two grown-up daughters, each taking lodgings at their father’s Tokyo home. Hemmed in by setbacks and personal troubles, Takako (Setsuko Hara) seeks refuge from her abusive husband while “delinquent” younger sister Akiko (Ineko Arima) faces the shock of an unplanned pregnancy. In delicate strokes, Ozu orchestrates Tokyo Twilight across waystations of contemporary Tokyo—from seedy mahjong parlors and Western-themed bars with Latin beats to desolate shipyards and train crossings. With quiet devastation and lingering regret, Ozu’s final black-and-white feature is one of his unequivocal masterpieces, a woeful melodrama illuminated against the fading light of day.

Hoyaman
Sunday, February 18 at 4:00 p.m.
Dir. Teruaki Shoji | 2023 | 106 min. | Japanese with English subtitles | With Afro, Kumi Kureshiro, Kodai Kurosaki
U.S. Premiere

A tearful comedy set on a beautiful island, Hoyaman follows the strange adventures of two fisherman brothers and a mysterious artist who drifts onto the island and into their lives. The three are at a crossroads in a deeply human story featuring ramen, superheroes, and tsunamis. Hoyaman tells the story of an unorthodox but modern family and the bonds that challenge us to grow. It’s director Teruaki Shoji’s feature film debut and filmed entirely on Ajishima, an island off the coast of his hometown of Ishinomaki. It features a cast of rising talent lead by Afro from the band MOROHA in his own movie debut.

Tokyo Sonata
Sunday, February 18 at 7:00 p.m.
Dir. Kiyoshi Kurosawa | 2008 | 119 min. | Japanese with English subtitles | With Teruyuki Kagawa, Kyoko Koizumi, Kai Inowaki., Yu Koyanagi

Kiyoshi Kurosawa’s appropriately terrifying take on the domestic drama looks beyond the platitudes of familial values and empty promises of a happy life into the recesses of the human condition. Laid off in a wave of company downsizing, salaryman Ryuhei hides his misfortune, opting instead to deceive his family into thinking he still remains employed. Equally adrift are wife, Megumi (Kyoko Koizumi), yearning for someone to pull her out of her banal routines; teen Takashi, who sees no future living in Japan; and younger son Kenji, who simply desires to play the piano. Searching for catharsis, the family members begin to live out clandestine lives rather than confront their creeping divide. Winner of the Jury Prize of the Un Certain Regard section at the 2008 Cannes Film Festival, Kurosawa’s cynical look at the subsurface decay and inadequacies of the traditional family points to its inherent breakdown.

Yoko
Thursday, February 22 at 7:00 p.m.
Offsite Screening: IFC Center – 323 6th Avenue
Admission: $18 General | $15 Seniors and Children
To purchase tickets, please visit IFC Center’s website.
Dir. Kazuyoshi Kumakiri | 2023 | 113 min. | Japanese with English subtitles | With Rinko Kikuchi, Pistol Takehara, Asuka Kurosawa
U.S. Premiere

International star Rinko Kikuchi plays the titular Yoko in an unorthodox road movie that follows an isolated woman’s journey to hitchhike more than 400 miles to her estranged father’s funeral. As she encounters a sweeping range of travelers across her trek, what will Yoko learn from each of them, and what will they learn from her? And in crossing this physical distance, can Yoko mend the emotional distance between her father and herself?

Her Love Boils Bathwater
Friday, February 23 at 7:00 p.m.
Admission: $18 General | $16 Seniors, Students, and Persons with Disabilities | $14 Japan
New York Premiere with Director Q&A and Reception
Dir. Ryota Nakano | 2016 | 125 min. | Japanese with English subtitles | With Rie Miyazawa, Hana Sugisaki, Joe Odagiri

Rie Miyazawa stars as Futaba, a single mother diagnosed with terminal cancer. With little time left, she sets out on a mission to reconnect her family, reuniting with her husband, reassuring her daughter, and bringing both together to save the family business. A popular and critical hit, Her Love Boils Bathwater won Miyazawa Best Actress and Hana Sugisaki Best Supporting Actress at the Japan Academy Awards, and the film was Japan’s official entry for Best Foreign Language Film at the Oscars.

A Long Goodbye
Saturday, February 24 at 4:00 p.m.
Dir. Ryota Nakano | 2019 | 127 min. | Japanese with English subtitles | With Yu Aoi, Yuko Takeuchi, Tsutomu Yamazaki
New York Premiere

Based on the book by Naoki Prize-winning writer Kyoko Nakajima, A Long Goodbye traces the gradual memory loss of the aging Shohei (Tsutomu Yamazaki) due to Alzheimer’s and the painful challenges and unexpected joys his two daughters experience as they return home to care for him. While Alzheimer’s robs Shohei of his past, his long goodbye brings new memories and a new closeness to his loved ones.

The Asadas
Saturday, February 24 at 7:00 p.m.
Introduction by director Ryota Nakano and Followed by a Talk Session
Dir. Ryota Nakano | 2020 | 127 min. | Japanese with English subtitles | With Kazunari Ninomiya, Satoshi Tsumabuki, Masaki Suda

Inspired by real-life photographer Masashi Asada, director Ryota Nakano’s latest film balances humor and heart in an unexpectedly true story. As an energetic dreamer in a traditional family, Masashi (Kazunari Ninomiya)’s initial artistic endeavors are met with skepticism and little support, but in the aftermath of the 2011 Tohoku earthquake, Masashi’s photographic skills are given new purpose, and he embarks on a mission that brings his family—and families across Japan—together.

About the ACA Cinema Project

The ACA Cinema Project is a new initiative organized as part of the “Japan Film Overseas Expansion Enhancement Project,” an ongoing project founded by the Agency for Cultural Affairs, Government of Japan (ACA) to create opportunities for the increased exposure, development, and appreciation of Japanese cinema overseas through screenings, symposiums, and other events held throughout the year. The ACA Cinema Project introduces a wide range of Japanese films in the United States, a major center of international film culture, together with local partners, such as Japan Society, IFC Center, and the Academy of Motion Picture Arts and Sciences’ Linwood Dunn Theater.

Susan McCormac 2/9/24 Susan McCormac 2/9/24

Find Handmade Crafts at Katagiri This Weekend

Valentine’s Day Craft Fair

Saturday, February 10 from Noon until 5:00 p.m.
Sunday, February 11 from Noon until 4:00 p.m.

Katagiri – 224 E. 59th Street (between 2nd and 3rd Avenues)

Admission: Free

Niji Japanese Artist Pop Up Shop is having its first craft fair at Japanese grocery store Katagiri. At this two-day event, artists will be offering dried flowers, handmade accessories, and kimono bags. Find the perfect gift for your Valentine while shopping for Japanese groceries!

Participating Artists

fancy pop
Cute handmade jewelry and accessories made of resin and air-dry clay including earrings, necklaces, bracelets, hair pins, and more!

Bead Factory Ever Green/ビーズ工房 Ever Green
Origami accessories (earrings and hair ornaments) that can be used for both casual and formal occasions.

水引装飾Twilight
Mizuhiki accessories made from a traditional Japanese paper string used for celebrations and as a decoration to wish for happiness.

ryuroru
ryuroru creates accessories with 925 silver for all ages and all genders. The main concepts behind the brand are sea, space, and simple.

MEINFINITY
Handbags made from Japanese fabrics that let you carry a piece of Japanese culture with you.

Heartfish
Heartfish Press is a creative studio located in Brooklyn, specializing in letterpress printing and floral design. The studio offers a variety of letterpress prints, cards, and custom design services that involve creating floral designs using dried flowers.

About Niji

NYK Marketing, based in New York, is a marketplace that serves as a bridge connecting Japanese artists with people from around the world. It was born from the desire to expand the reach of Japanese artists globally.

Their main platform is the e-commerce site niji, where you can purchase artworks by various artists from around the world. They also organize the Japanese Artist Pop Up Shop events, where customers can meet the artists in person.

About Katagiri

The oldest Asian grocery store in New York, Katagiri has been selling Japanese fish, meats, produce, and snacks since 1907. They have two Manhattan locations: the original store on E. 59th Street and one near Grand Central.

Katagiri 59th Street
224 E. 59th Street (between 2nd and 3rd Avenues)
Phone: 212-755-3566
Hours: Every day from 10:00 a.m. until 8:00 p.m.

Katagiri Grand Central
370 Lexington Avenue, Suite #107
Phone: 917-472-7025
Hours: Monday through Friday from 8:00 a.m. until 9:00 p.m.
Saturday, Sunday, and holidays from 10:00 a.m. until 8:00 p.m.

Susan McCormac 1/25/24 Susan McCormac 1/25/24

Duo YUMENO to Pay Tribute to Late Japanese Composer

Music of Changes: Tribute to Toshi Ichiyanagi

Saturday, January 27 from 7:30 p.m. until 9:00 p.m.

Tenri Cultural Institute – 43A W. 13th Street (between5th and 6th Avenues)

Admission: $30

Duo YUMENO—Yoko Reikano Kimura on koto and shamisen and Hikaru Tamaki on cello—and special guest pianist Vicky Chow will pay homage to the legendary composer Toshi Ichiyanagi. Ichiyanagi, who passed away in 2022, was a protégé of John Cage during the 1960s and had a profound influence on the post-war Japanese music landscape.

Presented by Duo YUMENO, the program will explore Ichiyanagi’s music, written for both traditional Japanese and Western instruments, and will celebrate his six-decade-long career. Highlights include Paraphrase for shamisen and cello (2019), which was commissioned by the duo; Time Sequence (1976), a dazzling piano solo in the minimalist style; and Linked Poems of Autumn (1990), Ichiyanagi’s tribute to the Japanese koto-song tradition that features texts by the haiku poet Matsuo Bashō. It’s sure to be an evening of provocative and brilliant contemporary music at Tenri Cultural Institute.

To purchase tickets, please visit Eventbrite.com.

Susan McCormac 1/25/24 Susan McCormac 1/25/24

Kurosawa Oscar-Winner at Film at Lincoln Center

Dersu Uzala at Film at Lincoln Center

Sunday, January 28 at 6:15 p.m.
Tuesday, January 30 at 6:30 p.m.

Walter Reade Theater – 165 W. 65th Street

Admission: $17 General Public | $14 Students | $12 JapanCulture•NYC Members (with Discount Code)

In Akira Kurosawa’s storied career, the Japanese director won two Oscars and a 1990 Lifetime Achievement Award. His first Oscar came in 1951 for Rashomon, and his second was for the 1975 Soviet film Dersu Uzala.

Film at Lincoln Center is featuring the film that garnered Kurosawa his second Academy Award as part of its series Never Look Away: Serge Daney’s Radical 1970s, a tribute to the French film critic Serge Daney and the films he championed in his book La Rampe, a collection of essays about cinema. From this lineup, Dersu Uzala captures an endangered way of being in the world, in which the encounter between a Russian military geographer and a Nanai hunter leads to an unexpected friendship. The series runs from Friday, January 26 through Sunday, February 4 with Dersu Uzala screening on both Sunday, January 28 and Tuesday, January 30. Don’t miss this rare opportunity to see the film on the big screen! To purchase tickets, please visit Film at Lincoln Center’s website.

Film at Lincoln Center is giving an exclusive opportunity for members of JapanCulture•NYC! Members will receive the discount code to use for $5 off tickets to a screening of Akira Kurosawa’s Dersu Uzala. Not a member? Please click here to register. Your membership fee of $5 a month helps defray the costs of running JapanCulture•NYC and keeps everyone informed about All Things Japanese in New York City.

Dersu Uzala

In Akira Kurosawa’s Oscar winner for Best Foreign Language Film, an unexpected friendship arises between a Russian military geographer and the Nanai hunter he has hired to guide his expedition across the Siberian taiga. After the baffling fiasco of his previous film, Dodes’ka-den, and his subsequent suicide attempt, Kurosawa experienced an artistic rebirth with this Soviet-produced ode to wilderness, replacing the dynamic montage of his earlier films with stately widescreen compositions that capture the Russian Far East in all its forbidding beauty. In celebrated scenes like the expedition’s encounter with an Amur tiger (no CGI here) and the blizzard in which famed geographer Vladimir Arsenyev is saved by the titular hunter, Kurosawa pays tribute to once-indomitable nature on the verge of being encroached upon by the Trans-Siberian Railroad, capturing an endangered way of being that resonates ever more strongly in our era of climate disaster and rampant capitalism.

Susan McCormac 1/9/24 Susan McCormac 1/9/24

Japanese Reimagining of HAMLET at Japan Society

HAMLET | TOILET

Wednesday, January 10 at 7:30 p.m. [SOLD OUT]
Friday, January 12 at 7:30 p.m. (followed by artist Q&A)
Saturday, January 13 at 2:30 p.m. and 7:30 p.m.

Japan Society – 333 E. 47th Street (between 1st and 2nd Avenues)

Admission: $35 | $28 Japan Society Members and Persons with Disabilities

Number two or not number two? That is the question in HAMLET | TOILET, a hilariously nonsensical reimagining of William Shakespeare’s classic from Yu Murai, one of Japan’s “most innovative contemporary playwright-directors” (Asian Theatre Journal), and performed by his Kaimaku Pennant Race theater company cast, fearlessly clad in their signature full-body white unisuits.

Kaimaku Pennant Race (KPR) has become known for its antic movement style mixed with profound interpretations of Western masterpieces, weaving scenes from Elizabethan-era tragedy with bursts of Japanese pop culture references in sensational and surprising ways. Following the company’s groundbreaking Romeo and Toilet and 2019’s unpredictable manga-meets-Macbeth Ashita no Ma-Joe, which turned Japan Society’s stage into a boxing ring, this production marks the New York premiere of Murai’s latest madcap Shakespearean innovation. Hamlet | Toilet is performed by KPR members Masayuki Gouke (professionally known as G.K. Masayuki), Yuki Matsuo, and Takuro Takasaki. Performed in Japanese with English supertitles.

The troupe will give four total performances, but please note that the first performance, on Wednesday, January 10, is sold out. There are still tickets available for the remaining three, with an artist Q&A following the performance on Friday, January 12. To purchase tickets, please visit Japan Society’s website.

*HAMLET* | *TOILET* ©photo by Takashi Ikemura

About Kaimaku Pennant Race

Founded by Yu Murai in 2006, Kaimaku Pennant Race (KPR) is a Tokyo-based theater company known for off-the-wall theater work presenting a uniquely contemporary Japanese view, often inspired by Western masterpieces. They have achieved worldwide recognition through their in-demand repertoire pieces such as 1969: A Space Odyssey? Oddity!; Romeo and Toilet, and Ashita no Ma-Joe: Rocky Macbeth, performed in France, Romania, Thailand, South Korea, the US, and Japan. In 2009, the company performed Romeo and Toilet in the New York International Fringe Festival, earning Four Stars from Time Out New York for its “fantastic combination of ingenious movement; surreal story lines; and dynamic, startlingly disciplined performers."

The company’s remarkable sets have also caused quite a stir, with one of their most notable set designs being a large toilet created from 10,000 toilet paper rolls for Romeo and Toilet. 1969: A Space Odyssey? Oddity! had its successful world tour, visiting popular international theater festivals and venues such as Festival d’Avignon (France), BABAL F.A.S.T. (Romania), Carthage Theatre Festival (Tunisia), ST-BOMB festival (South Korea) and Thong Lor Art Space (Thailand) from 2015 through 2018. Audiences around the world have embraced the company’s original approach to physical comedy and Western adaptations, describing their work as “a real artistic experience” (La Provence, France).

Ashita no Ma-Joe: Rocky Macbeth premiered at the Theater Rakuen in Shimokitazawa, Tokyo, in February 2017 and was presented by Japan Society in New York in May 2019, garnering rave reviews. Their most recent work, HAMLET | TOILET premiered at Komaba Agora Theater in Tokyo in September 2023.

About Yu Murai

Founder and Director Yu Murai reinterprets a wide variety of classical plays using extreme physicality and over-the-top humor. Known for his bold stage designs and sharp, witty dramas, he is able to convey his original and singular point of view through his meticulous and highly choreographed directing style. Most recently, he has started conducting workshops, lectures, and readings to expose young actors to his quirky and rich methodologies. Of his plays, Theatrorama (France) wrote, “If you see [his] shocking work, you cannot return to earth ever again.” His company’s performances invite audiences to enter surreal, high-octane worlds, through aesthetics and tropes borrowed from Japanese pop culture. Today, the troupe is one of the most promising theater companies in Japan, blending high-art and entertainment.

Susan McCormac 1/4/24 Susan McCormac 1/4/24

Sachiyo Ito's Memoir to Appear on JapanCulture•NYC

JapanCulture•NYC is pleased to announce that renowned dancer, dance educator, and choreographer Sachiyo Ito will serialize her memoir on this website. Beginning Thursday, January 11, we will present one chapter each month, revealing a different aspect of her early life in Tokyo and career in New York City in each installment.

Ito Sensei offers of a profound exploration of her experience of dedicating herself to traditional Japanese dance at an early age, arriving in New York City during the tumultuous ‘70s, and making a successful career in the arts. Each chapter offers a glimpse into the complexities that shaped her journey.

The memoir is an invitation to delve into the layers of a creative life and career that has spanned more than 50 years. As a work in progress, it is also an invitation for you to offer your feedback. Your insights will contribute to the evolution of this extraordinary work.

Join us on Thursday, January 11, as we begin this literary examination of not only Ito Sensei’s life, but of how New York City’s culture evolved over the decades and what sacrifices one must make to achieve a thriving career in the arts.

Susan McCormac 12/12/23 Susan McCormac 12/12/23

JapanCulture•NYC x Japan Society Ticket Giveaway!

🚨🎟️GIVEAWAY ALERT ‼️

We're teaming up with our friends at Japan Society Film for a ticket giveaway to the screening of Dogra Magra on Friday, December 15 at 9:00 p.m.!

Japan Society Film is generously giving five pairs of tickets to this Japanese mystery fiction fantasy extravaganza by Toshio Matsumoto! That means five winners will each take a +1 to celebrate the 35th anniversary of Matsumoto's final feature!

DETAILS

🎥 Dogra Magra

📅 Friday, December 15

⏰ 9:00pm

📍 Japan Society – 333 E. 47th Street (between 1st and 2nd Avenues)

HOW TO ENTER

🎯Follow @japanculturenyc, @jsfilmnyc, and @japansociety on Instagram

🏷️ Tag @japanculturenyc in an Instagram post related to Japanese Culture in New York City (food, drink, film, art, music, books, crafts)

☠️ Deadline: Thursday, December 14 at 12:00pm

🏆 Winners announced Thursday, December 14 by 6:00pm

ABOUT DOGRA MAGRA

Based on one of the Sandaikisho (Three Great Occult Books) of Japanese mystery fiction, Toshio Matsumoto’s fourth and final feature adapts the unadaptable: a filmed version of surrealist 1935 avant-garde classic Dogra Magra written by Kyusaku Yumeno—the famous detective novelist whose pen name fittingly translates to “person who always dreams.”

In Taisho 15, the period’s final year, an amnesiac awakens in a sanatorium without recollection of his name or face. Forced to reconstruct his memory, the patient is accosted by two doctors (including one purported to be deceased) who relate his condition in differing fashions, complicating whether physicians are telling the truth or playing a Fowlesian godgame.

Working with frequent cinematographer Tatsuo Suzuki (Himiko, Pastoral: To Die in the Country), Matsumoto constructs a disorienting Jungian work, overwrought with conspiracies and intermingling tales. Delivering intra-womb fetuses, red herrings, and false revelations, Dogra Magra unfurls a complex tapestry of alternating histories—resulting in a whirlwind tragedy brought on by fantasies of eternal recurrence.

Dir. Toshio Matsumoto, 1988, 109 min., 35mm, color, in Japanese with live English subtitles. With Yoji Matsuda, Shijaku Katsura, Hideo Murota, Eri Misawa.

This screening is part of Japan Society’s current series Taisho Roman: Fever Dreams of the Great Rectitude, running through December 16. To see the remaining films and to purchase tickets, please visit Japan Society’s website.

Huge thanks to Japan Society, Japan Society Film, and Peter Tatara for making this giveaway possible.

Susan McCormac 12/7/23 Susan McCormac 12/7/23

The 2023 JapanCulture•NYC Holiday Gift Guide

We are back with our annual Japan Culture NYC’s holiday gift guide and this year we are focusing on some of our favorite women-owned businesses!

Nico Neco Zakkaya

263 E. 10th Street, New York 10009
Monday through Saturday from 12:00 p.m. until 7:00 p.m.; Sunday from 12:00 p.m. until 6:00 p.m.

First established as an Etsy shop in 2015, Nico Neco Zakkaya New York’s brick-and-mortar store opened in 2019. Siming, the owner, had previously lived in Tokyo, Osaka, and Kagoshima before moving to New York. She missed aspects of Japanese life, specifically its stationery and zakka, a Japanese word that means “encompassing all things that enhance your home, lifestyle, and appearance.” The word zakkaya in the shop’s name is derived from that because Siming believes that “these small, yet meaningful details can truly elevate your life, create memories, and even spark inspiration.”

This shop carries a range of options for the perfect gifts that are carefully curated and sourced from Japan. They offer everything from stationery to crafting tools to household items such as incense burners and other ceramics. Their selection of stamps, seals, stickers, and washi tape make great stocking stuffers. Nico Neco Zakkaya sells planners and planner supplies, but please act fast as they are quickly selling out for 2024! While there, you can also pick up your gift-wrapping supplies and thank you cards to send after the holiday season.

If you are unable to get to the shop, you can also order online. Be sure to get those orders in as soon as possible to ensure delivery for the holidays.

M.M. LaFleur

Bryant Park Showroom – 130 W 42nd Street, Floor 13, New York, NY 10036
Tuesday – Saturday from 10:00 a.m. until 6:00 p.m., Sunday from 12:00 p.m. until 6:00 p.m. Closed Monday.
Upper West Side location – 182A Columbus Avenue, New York, NY 10023
Tuesday through Saturday from 11:00 a.m. until 7:00 p.m., Sunday from 11:00 a.m. until 6:00 p.m. Closed Monday.
Upper East Side location – 1225 Madison Avenue, New York, NY 10128
Tuesday through Saturday from 10:00 a.m. until 6:00 p.m., Sunday from 11:00 a.m. until 6:00 p.m. Closed Monday.

M.M. LaFleur’s founder and CEO Sarah LaFleur teamed up with Miyako Nakamura, former head designer at Zac Posen, to launch the brand in 2013. Their clothing is created around three design principles: functional details, comfort, and style with today’s woman in mind. Known for their high-quality basics, they create polished pieces made for real life by offering features like machine-washable and wrinkle-resistant fabrics.

M.M. Lafleur sells everything from clothing, outerwear, footwear and accessories like jewelry, belts, and cold weather knitwear. Please check out their 2024 gift guide for ideas. Also, check out their calendar of events because there are some upcoming holiday events in stores for the month of December. There’s nothing like breakfast with Mrs. Claus, complimentary hot cocoa, and live music to enhance your shopping experience.

If placing online orders, please see their holiday shipping cut-off dates here.

Seicho

Online only:

Website
Etsy shop

Seicho is a New York-based Japanese calligraphy artist whose name translates to “Quiet Butterfly.” She first picked up a calligraphy brush around the age of six, but her talent grew in college. Studying under Seifu Makino, a well-known master calligrapher in Kyoto, enhanced her skill even further, which led to winning many prizes and having her work exhibited all over Japan. In 1996, she became a master calligrapher herself, and two years later she moved to New York and has shared her talents here ever since.

You can purchase beautiful calligraphy and unique gifts through Seicho’s online shop. She offers five different custom-order calligraphy gifts with names written in both kanji and katakana, including our personal favorite: a custom kanji sake masu! All items come wrapped in beautiful Japanese paper (except decorative envelopes and stickers).

Like all online shopping, we recommend placing your order at your earliest convenience.

MaKaRi Japanese Antiques and Fine Art

97 Third Avenue, New York, NY 10003
Tuesday through Sunday from 12:00 p.m. until 5:30 p.m.

Since 2009 MaKaRi Japanese Antiques and Fine Art has had a shop on Third Avenue that specializes in quality antiques, contemporary art, and housewares from Japan. Owner Yuko Nose, who is originally from Tokyo, has lived and had other businesses in New York for decades. With MaKaRi, she loves mixing contemporary pieces with antiques in her inventory.

The shop offers pottery from various Japanese artists to other housewares such as tea pots, glassware, tenugui, and antique furniture. The website also offers a gift guide as well as digital gift cards, which are always a great gift for the person who is hard to shop for or someone you need to send a gift to outside the NYC area.

Atlantic Grace

115 W. 29th Street, Suite 902, New York, NY 10001
Monday through Friday from 11:00 a.m. until 7:00 p.m.

One of JapanCulture•NYC’s sponsors is Atlantic Grace, a Japanese esthetic salon, which they call a Japanese relaxation and beauty house. This woman-owned business specializes in Japanese beauty treatments such as painless hair removal, facials, teeth whitening, and face tightening, using state-of-the-art technology from Japan. Their experienced Japanese technicians and estheticians provide safe, gentle, and effective treatments for both women and men.

Book a service or gift a bundled package to your loved one. You deserve a gift this busy holiday season, too, so consider treating yourself to a treatment to help relieve the holiday stress. Check out their holiday special, which offers a bundle of two facial-treatment sessions and one teeth-whitening session.

Photo and graphic courtesy Atlantic Grace

Riverside Wrapping Co.

Online shop

December pop-up schedule:

Saturday 12/9 - Sunday 12/10 at the Brooklyn Museum from 11:00 a.m. until 5:30 p.m.
Saturday 12/16 - Sunday 12/17 at the Museum of the City of New York from 10:00 a.m. until 5:00 p.m.
Saturday 12/16 - Sunday 12/24 at Japan Village for the Niji Holiday Makers Market (Times listed in link)

What started as gift wrapping business in 2022, certified gift wrap coordinator Emi Tachibana’s business has evolved to include handmade jewelry using mizuhiki, the ancient Japanese artform of decorative knots. Born in China and raised in Tokyo, Emi has lived in New York since 2016, perfecting her skills at traditional Japanese crafts. She’s a familiar face who can always be found at various artist pop-up markets in the city throughout the year. Be sure to find her at one of the holiday markets listed above.

Riverside Wrapping Co. is best known for her intricate mizuhiki earrings hand-crafted with modern touches like pearls and delicate chains. From simple knots to cat-shaped mizuhiki and mini flowers hanging from gold chains, check out her selection of earrings that work for many occasions. Emi will be featuring new styles for this holiday season.

During the Riverside Wrapping Co.’s pop-up at the Niji Holiday Makers Market, Emi will have New Year Shimenawa Kazari for sale in collaboration with Heartfish Press. Another local woman-owned business, Heartfish Press is run by artist/graphic designer Hijiri K. Shepherd. Her letterpress studio offers prints and cards along with her recent dried floral designs. These one-of-a-kind Shimenawa Kazari are limited quantity; be sure to pick yours up before they sell out.

If placing orders online from Riverside Wrapping Co., please do so by December 17 for shipping or December 22 for pick up at Japan Village.

MEINFINITY Kimono Bags

Also available at the Niji Holiday Makers Market, MEINFINITY kimono bags by founder/creator Akiko. What started as a hobby in 2021 developed to an official business this past January. Akiko was first inspired by the way non-Japanese people worldwide wore haori or kimono as jackets styled in a fashionable way instead of the traditional, proper way kimono is worn in Japan. All the bags are made from upcycling vintage kimono and silk obi with straps made from vintage obijime that Akiko carefully sources in Japan. Sourcing vintage kimono fabrics and repurposing them into bags gives the kimono a second life. Often selling at pop-ups in Japan, MEINFINITY made its NYC debut last summer at a previous Nijii Makers Market and is thrilled to return with new designs and silhouettes this holiday season.

At this pop-up, MEINFINITY will be featuring their classic styles like the original silhouette, Square Bag, the Crossbody style, and Phone Bag while debuting the newest silhouette, The Baguette! Each bag is from a different cut from vintage kimono or obi, which means no two bags are exactly alike, making this an exclusive, one-of-a-kind gift. The bags come in a variety of looks from pastels, metallics, and bold large graphics. These bags are the ultimate accessory that combine traditional Japanese kimono with modern fashion, the perfect gift for that accessories lover in your life.

Angel’s Share

45 Grove St, New York, NY 10014
Tuesday through Sunday from 5:00 p.m. until Midnight

The legacy of Angel’s Share continues in a new location and under new ownership. Erina Yoshida, the daughter of Tony Yoshida, who opened the original Angel’s Share in 1993, is at the helm. In 2012 Erina started working with her father and served as COO of Japan Village when it opened in 2018. After the iconic Stuyvesant Street location of Angel’s Share closed in March 2022 due to a rent hike, it had an eight-month pop-up at Midtown’s Hotel Eventi. It was Erina’s idea to reopen Angel’s Share in a new location and to keep the same staff. Determined to do this on her own, she pulled from her own savings and received loans from friends. Searching for the perfect location, she finally found it in a landmark building on Grove Street in Greenwich Village and created this new 65-seat location with some familiar elements. The iconic cherub mural and antique chandeliers recreate Angel Share’s recognizable look.

Well known for its craft cocktails, this incarnation of the acclaimed bar features three of the old favorites from the East Village location along with 24 new cocktails as well as a food menu with small plates. A visit here would make a perfect holiday date. Just in time for the holidays, Angel’s Share is also launching new merchandise such as totes, baseball caps and t-shirts. This merchandise will be available for purchase at the new location, and it’s possible to buy it in the waiting room area without visiting the actual bar. If you have someone in your life who was devastated when Angel’s Share closed in 2022, something from this new merchandise line would be a memorable gift.

Bessou

Market 57, Kiosk 9 at 25 11th Avenue, New York, NY 10011
Monday through Sunday from 11:00 a.m. until 8:00 p.m.

The loose translation of “Bessou” means “home away from home.” Founder Maiko Kyogoku created a menu that allows her to share her family’s Japanese comfort food traditions in reimagined ways. Having grown up in New York in a restaurant-owning family, Maiko has always been familiar with food and hospitality. After spending 15 years running operations for Daniel Boulud, the Bromberg Brothers, and the Thompson Hotel group, she opened Bessou in 2016. Currently Bessou is part of Market 57, a food hall and market curated under the guidance and mentorship of The James Beard Foundation.

Along with the kiosk at Market 57, Bessou has an online shop with a selection of great gift ideas. There’s a Holiday Feast at Home for four people which not only makes an amazing gift, but if you are hosting friends or family over the holidays but don’t want to cook, this would be perfect! There is a Holiday Popcorn Gift Box just launched for this holiday season. It features innovative flavors such as nori crunch, miso caramel corn, shiso sour cream, and soy butter. Other pantry items including furikake, miso marinade, chili oil, and black garlic are sold individually or bundled. For the home chef in your life, the bundled set would be useful. They also sell baseball caps, t-shirts, and totes.

Different Roads to Learning

Online resource

Our final business is not Japanese-related, but it is run by one of the most important women leaders in New York’s Japanese American community. Different Roads to Learning is a company that provides educational resources for children with autism spectrum disorder (ASD) and is one of JapanCulture•NYC’s sponsors. Its founder and President, Julie Azuma, is a tour de force who brings people in the Japanese and Japanese American community together.

Julie grew up in Chicago to Issei parents who were incarcerated during World War II. After moving to New York City, Julie worked with Yuri Kochiyama, Michi Weglyn, among others in the Redress Movement in the 1980s. She serves on the boards of multiple nonprofits and organizes many fundraising and networking events, in addition to running her business.

According to the Centers for Disease Control and Prevention, one in 36 children in the US has autism. Chances are you may know someone who will benefit from the products that Julie’s company provides.

One of Different Roads to Learning’s newest educational products is the Photorealistic Visual Schedule. With its full-color, photorealistic communication cards, the visual schedule makes tasks and expectations easier to process and is a great tool to help children with autism plan for the New Year. Another educational game is Mighty Mind, which develops creativity and helps children understand visual and spatial relationships. With the purchase of one of these products, Different Roads to Learning will offer free shipping in the Tri-State area.

We hope our 2023 Holiday Gift Guide has not only given you great ideas for everyone on your holiday gift list but introduced you to a few amazing women-owned local businesses as well. Happy Holidays!

The 2023 JapanCulture•NYC Holiday Gift Guide was researched and compiled by JCNYC Fashion Editor Jen Green with an assist from Susan McCormac. Follow Jen on Instagram to get year-round inspo.

Susan McCormac 11/21/23 Susan McCormac 11/21/23

All AAPI Cast to Perform “Allegiance”

54 Sings Allegiance

Monday, November 27 at 7:00 p.m. (Doors open at 5:30 p.m.)

54 Below – 254 W. 54th Street (between 7th and 8th Avenues)

Admission: $100.50 Premium Seating | $51-$62 Main Dining and Bar Seating

54 BELOW, Broadway’s Supper Club, presents an entirely AAPI cast in 54 Sings Allegiance on November 27 at 7:00 p.m. This celebration is in honor of the London premiere of Allegiance, a musical inspired by the real story of Star Trek icon George Takei’s life with music and lyrics by Jay Kuo and book by Marc Acito, Jay Kuo, and Lorenzo Thione. 54 Below invites the audience to enjoy the story of Allegiance through the performances of these incredible AAPI talents.

The show will feature highlights of the score, including “Higher,” “Wishes on the Wind,” “Stronger Than Before,” and more.

Performers

Carol Angeli (Here Lies Love, Miss Saigon)
Sondrine Bontemps (Disney Cruise Line’s Aladdin)
Delphi Borich (Camelot, Into the Woods)
Flynn Jungbin Byun (White Plains Performing Arts Center’s Miss Saigon)
Victoria Chen
Jen Chia (Magic School Bus national tour)
Brayden Co
Bryan Chan
Bryan Freedman
Rose Van Dyne (1776)
Joomin Huang (The Prom, & Juliet)
Yoosep (Joseph) Im (White Plains Performing Arts Center’s Miss Saigon)
Brian Jose (Miss Saigon national tour)
Dongwoo Kong (The King and I national tour)
Joseph Lee
Rina Maejima (National Anthem singer at Citi Field on Japanese Heritage Night)
Clark Mantilla (Musicalized!, TikTok Takes Broadway)
Joowon Shin (Squid Game on Netflix)
Patima Watcharintrawut

The concert is produced and directed by Flynn Jungbin Byun and associate produced by Gyurin Kim, with music direction by Rose Van Dyne.

Representation in the arts is so crucial and becoming more and more important, so please support this unique production.

To purchase tickets, please visit 54 Below’s website. Please note that ticket prices include a 10% ticketing fee and a $1.50 facility fee. There is a $25 food and beverage minimum. Tickets on the day of performance after 4:00 p.m. are available only by calling 646-476-3551.

About 54 Below

54 Below, a recipient of the 2022 TONY AWARDS® Honor for Excellence in the Theatre, is a non-profit organization with a mission to preserve the music of Broadway and expand the art of the cabaret while growing opportunities for diverse communities of emerging and established artists and providing unparalleled audience experiences.

It was founded as a place for the Broadway community to celebrate Broadway performers, both established and new, who sing not only the music of Broadway and the Great American Songbook, but also new material intended for Broadway and off-Broadway stages.

Safety Information

54 Below is committed to the health of its performers, staff, and guests and has created a Safety Plan to ensure safe conditions along with optimum performing conditions. 54 Below has installed improved air circulation and filtering systems. Based on CDC and New York State guidelines at the time of performance, safety protocols and seating capacity may change, and policies may be adjusted as is appropriate. Additional information on their safety protocols can be found at their website.

Susan McCormac 11/14/23 Susan McCormac 11/14/23

Film at Lincoln Center to Spotlight Japan’s Cinematic Rebel

The Radical Cinema of Kijū Yoshida

Friday, December 1 through Friday, December 8

Walter Reade Theater – 165 W. 65th Street (unless otherwise noted)

Admission: $17 General Public | $14 Students, Seniors, individuals with disabilities | $12 Members

Film at Lincoln Center presents “The Radical Cinema of Kijū Yoshida,” a retrospective spotlighting the films of one of Japan’s greatest cinematic rebels. Running from December 1 through 8, all 16 films will be presented on 35mm or 16mm at Film at Lincoln Center’s Walter Reade Theater, the Elinor Bunin Munroe Film Center, and Japan Society.

The retrospective presents the most comprehensive collection of Yoshida’s work ever screened in the United States. Most notably, the series will feature Yoshida’s famed political trilogy, which captures significant moments in 20th century Japanese history: Eros + Massacre (1968), regarded as his masterpiece; Heroic Purgatory (1970), a kaleidoscopic, mazelike memory piece about an atomic engineer whose past as a college-age revolutionary militant erupts into the present; and Coup d’état (1973), a spellbinding portrait of notorious militarist Ikki Kita.

To purchase tickets, please visit Film at Lincoln Center’s website. Use promo code OKADA to enjoy $5 off all ticket purchases.

Lineup

Good-for-Nothing
Friday, December 1 at 2:00 p.m.
Tuesday, December 5 at 8:45 p.m.

Yoshida’s debut feature vividly depicts the ennui and intellectual and spiritual restlessness of a generation of bourgeois youth in Tokyo at the dawn of the 1960s.

Blood Is Dry
Friday, December 1 at 4:15 p.m.
Saturday, December 2 at 8:30 p.m.

Yoshida’s satirical second feature again ferociously critiques Japanese society following its postwar reinvention as a capitalist giant.

Eros + Massacre
Friday, December 1 at 7:00 p.m.
Tuesday, December 5 at 2:00 p.m.

Among the greatest of all political films and perhaps the work that best embodies the spirit of Yoshida’s artistic project, Eros + Massacre is an epic, historiographic examination of the points of intersection between the domains of desire and politics.

Affair in the Snow
Saturday, December 2 at 1:00 p.m.

A love triangle plays out in the snow in Yoshida’s eleventh feature, a striking deconstruction of the melodrama.

Heroic Purgatory
Saturday, December 2 at 3:15 p.m.

The second film in a trilogy (inaugurated by Eros + Massacre) concerning 20th century Japanese history, Heroic Purgatory is a kaleidoscopic, mazelike memory piece that is perhaps Yoshida’s most recognizably avant-garde work.

The Affair
Saturday, December 2 at 6:00 p.m.
Wednesday, December 6 at 1:00 p.m.

Elinor Bunin Munroe Film Center – 144 W. 65th Street

Again using the melodrama genre as an instrument of oblique social critique, Yoshida’s ninth feature stars Mariko Okada as a woman trapped in a loveless marriage to a philandering businessman who finds herself mysteriously drawn toward an old lover of her deceased mother’s.

Akitsu Springs
Sunday, December 3 at 1:00 p.m.
Thursday, December 7 at 1:00 p.m.

The first great commercial success of his young career, Akitsu Springs is a tear-jerking romance that finds Yoshida working in color and in collaboration with his frequent star and lifelong filmmaking partner Mariko Okada (in her 100th on-screen appearance).

Wuthering Heights
Sunday, December 3 at 3:30 p.m.
Thursday, December 7 at 3:30 p.m.

Emily Brontë’s Gothic romance is transposed to feudal Japan for Yoshida’s powerfully stark, elemental take on the story.

18 Who Cause a Storm
Sunday, December 3 at 6:30 p.m.
Wednesday, December 6 at 3:15 p.m.

Elinor Bunin Munroe Film Center – 144 W. 65th Street

A group of migrant workers fed up with their being ruthlessly exploited by the society around them lash out in Yoshida’s rugged widescreen chronicle of proletarian unrest.

Women in the Mirror
Sunday, December 3 at 9:00 p.m.

In his final fiction feature, Yoshida returned to an old subject in his work: the unfathomable trauma known by Japan due to the United States’s dropping of atomic bombs on Hiroshima and Nagasaki.

Flame and Women
Tuesday, December 5 at 6:30 p.m.

Yoshida returned to the melodrama—this time synthesizing elements of the horror film in the process—with this chronicle of a woman’s suddenly swelling desire for her child’s biological father.

Coup d’état
Wednesday, December 6 at 6:30 p.m.

Elinor Bunin Munroe Film Center – 144 W. 65th Street

The culminating film in the trilogy formed by Eros + Massacre and Heroic Purgatory, Yoshida’s 16th feature is a spellbinding portrait of notorious militarist Ikki Kita, whose 1936 attempt at staging a coup against the Japanese government would later serve as inspiration to the similarly controversial nationalist writer Yukio Mishima some years later.

A Promise
Wednesday, December 6 at 8:45 p.m. – Elinor Bunin Munroe Film Center
Friday, December 8 at 9:00 p.m. – Japan Society

Yoshida came out of his feature filmmaking retirement with this typically idiosyncratic meditation on what was, at the time, a taboo topic: euthanasia.

Farewell to the Summer Light
Thursday, December 7 at 6:30 p.m.

A fascinating transitional film for Yoshida, Farewell to the Summer Light finds the restless iconoclast heading to Europe to tell the tale of an on-again-off-again romance between Naoko, a married expat who specializes in import-export (Mariko Okada), and Makoto (Tadashi Yokouchi), a Japanese scholar who is searching for a cathedral that served as the architectural inspiration for a church built in Nagasaki by Portuguese missionaries.

Confessions Among Actresses
Thursday, December 7 at 8:45 p.m.

Something like Yoshida’s response to Ingmar Bergman’s Persona, Confessions Among Actresses finds Yoshida teaming up with three prominent Japanese actresses—Mariko Okada, Ruriko Asaoka, and Ineko Arima, each renowned for playing eminently modern women who have been wronged by the men around them—to craft a fragmentary, perpetually shapeshifting work on the relationship between performance and trauma.

A Story Written with Water
Friday, December 8 at 6:00 p.m.

Japan Society – 333 E. 47th Street

Bearing a title inspired by John Keats’s epitaph and taken from the Yōjirō Ishizaka novel it adapts, Yoshida’s first independent film is a startling affair, depicting the unbreakable love of mother and child.

For full descriptions of the films and to learn more about Kijū Yoshida, please visit Film at Lincoln Center’s website.

Susan McCormac 11/3/23 Susan McCormac 11/3/23

Tokyo to New York at Bargemusic

Bargemusic: Here and Now Series presents THOMAS PIERCY - TOKYO TO NEW YORK 東京とNY

Friday, November 3 at 7:00 p.m.

Bargemusic – 1 Water Street, Brooklyn (GPS address)

Admission: $35

Bargemusic’s Here and Now Series presents music with Thomas Piercy, clarinet and ohichiriki; Aaron Wolff, cello; and Marina Iwao, piano. Three of the works are world premieres composed for Thomas Piercy by composers Miho Sasaki, Michael Schelle, and Emilio Teubal, and a composition by Dai Fujikura will have its New York premiere. Rounding out the program will be a masterpiece from 1992 from Pulitzer Prize-winner Tania Leon.

For more information and to purchase tickets, please visit Tonada Productions or Bargemusic.

Program

Dai Fujikura “Hop” for clarinet, cello, and piano (2019) (US Premiere)
Tania Leon “Arenas d’un tiempo” for clarinet, cello, and piano (1992)
Miho Sasaki “黎明-reimei-Dawn” for ohichiriki, cello, and piano (2023) (World Premiere)
Michael Schelle “Kingfish Levinsky” for clarinet, cello, and piano (2023) (World Premiere)
Emilio Teubal “The Offspring of MMXX” for clarinet, cello, and piano (2023) (World Premiere)

Susan McCormac 11/2/23 Susan McCormac 11/2/23

Asia Society to Co-Host NYJCF

New York Japan CineFest 2023

Friday, November 3 from 6:30 p.m. until 8:00 p.m. (Opening reception)

Saturday, November 4 from 1:00 p.m. until 5:00 p.m. (Shodo performance)

Asia Society – 725 Park Avenue at 70th Street

Admission: $15 Adults | $8 Members

New York Japan CineFest, a film festival that introduces Japanese-themed short films, is celebrating its twelfth anniversary this weekend. The two-day event will present a total of16 short films and is co-hosted by Asia Society and Mar Creation in partnership with JICC-Japan Information and Culture Center (Embassy of Japan in Washington, D.C.), Short Shorts Film Festival, Boston Japan Film Festival, Aichi International Women’s Film Festival, and Tokyo Independent Movie Festival.

Day One features seven short films selected by JICC and NYJCF; Day Two includes two programs: “Japanese Film Festivals” at 1:00 p.m. and “Long Story Short” at 3:30 p.m. “Japanese Film Festivals” consist of six short films in association with five Japanese film festivals such as Short Shorts Film Festival, which celebrated its 25th anniversary this year. “Long Story to Short” features four shorts that are relatively long, more than 20 minutes.

The 2023 program includes director Daichi Amano’s Don’t Go, in which fragments of the memories of a deceased father can be accessed using a special device; TOKYO ANIMAL by Toshiki Yashiro, a collection of five vignettes about life in Tokyo; Seen, a love story directed by Shinji Hamasaki and based on Ryūnosuke Akutagawa’s short story "The Nose”; and Oshirasama, Takako Saga’s look at a mysterious folk belief in Japan's Tohoku region. This year’s highlight is Shuhari, a documentary that was produced by NYJCF co-founders Kosuke Furukawa and Hiroshi Kono.

For full details and to purchase tickets, please visit Asia Society’s website. Students and Seniors should contact Asia Society’s box office at 212-517-ASIA (2742) for a discounted price. NYJCF is offering a special discount for JapanCulture•NYC members! Not a member? Join today at https://www.japanculture-nyc.com/membership!

*Third Wheel*, Directed by Kevin Haefelin

Day One – Friday, November 3 at 6:30 p.m.

Films selected by NYJCF and the Japan Information & Culture Center organized by Embassy of Japan in Washington, D.C.

Third Wheel

Dir. Kevin Haefelin | 2023 | 4:50 | comedy, drama, period, fantastic | Switzerland
Edo Period. Following his abrupt death, Gohei, a master carpenter, returns as a ghost to make peace with his wife, Sachi, but finds out he is invisible. He must rely on Sakichi, his once-neglected apprentice, who is gifted with psychic abilities.

What To Do To Be Like You

Dir. Chris Rudz | 2022 | 5:01 | comedy | Japan
Young Natsumi returns to the island of her ancestor to become an Ama-san, a traditional female diver of Japan. She follows her mentor, Reiko, who's the best Ama-san in the area, to discover her secrets.
In association with Short Shorts Film Festival & Asia [SSFF & ASIA]

Aufguss

Dir. Daigo Matsui | 2022 | 24:52 | drama | Japan
A sauna spa that has been in business for 50 years is about to reach the very last day but without letting any of its regular customers know. Toji, an aufgussmeister, is preparing for the last aufguss session, and the regular customers are puzzled about why he is so fired up. This is a story about the special night of a small sauna business.
In association with Short Shorts Film Festival & Asia [SSFF & ASIA]

The Floating World

Dir. Hiroshi Yokota | 2023 | 15:17 | documentary | Japan
When a university student struggling with an environmental studies assignment searches for inspiration at an art gallery, she is magically transported into a painting and lands in 19th-century Japan. In Edo, today’s Tokyo, she witnesses a range of everyday sustainable practices––using ashes in the dyeing process, fertilizing fields with night soil, repurposing used kimonos into towels and rags––that helped the country overcome environmental collapse.

Shuhari (World Premiere)

Dir. Tatsuya Ino | 2023 | 12:36 | documentary | Japan, USA
Born and raised in Kyoto, Japanese calligrapher Chifumi Niimi teaches students not only how to write characters beautifully but also break through tradition to develop self-esteem and find a new you through shodo (Japanese calligraphy).

The Swamp

Dir. Sorao Sakimura | 2023 | 4:55 | animation | Japan
He, in the painful days of living deep in a shell, picks up a stone. It gains an identity in a moment and becomes a different individual from him. It pulls him up and takes him somewhere he would never imagine. This is written as a record of the writer himself, who has kept creating while feeling the hardness of life.
In association with Short Shorts Film Festival & Asia [SSFF & ASIA]

Seen

Dir. Shinji Hamasaki | 2022 | 23:37 | drama | Japan
A love story based on Ryunosuke Akutagawa's short story "The Nose." Tatsuya, a man afflicted with a nose complex, meets Fumi, a reclusive woman with an eye patch. Both burdened with their emotional scars, the two find themselves drawn to each other.
In association with Short Shorts Film Festival & Asia [SSFF & ASIA]

*Tokyo Animals*, Directed by Toshiki Yashiro

Day Two – Saturday, November 4 at 1:00 p.m.

“Japanese Film Festivals”

Tokyo Animals

Dir. Toshiki Yashiro | 2022 | 7:58 | drama | Japan
Directed by Toshiki Yashiro, Tokyo Animals is a collection of five scenarios, five vignettes about life in Tokyo. A life where things in the fore fall toward the back, until they circle back again into focus. A circular movement that is often palpable in our crammed little town. Whether it be the rigid rituals of a salaryman, empty gestures by empty people, or the sexualization of all things living or not. Bizarre little things populate the city.
In association with Boston Japan Film Festival (BJFF)

COUNT 100

Dir. Hiroshi Tamaki | 2023 | 20:00 | SciFi | Japan
Professional boxer Mitsuki was once the champion. One day, he was handed a mysterious leaflet on the street.
In association with Short Shorts Film Festival & Asia [SSFF & ASIA]

Oshirasama

Dir. Takako Saga | 2023 | 11:47 | animation | Japan
In this folktale of Japan's Tohoku region related to a mysterious folk belief called "Oshirasama,” a girl gets a horse from her father and takes care of it affectionately, then eventually, they fall in (carnal) love with each other. Maddened by the fact, the father kills the horse, but the horse's corpse takes the girl away with it to the other world up in the sky. To her weeping parents in despair, the girl appears in their dream and tells them about silkworms. With threads and cloth from the silkworms they keep, the girl's parents become able to earn their living, and they later make a pair of wooden figures after their daughter and the horse to worship as their gods.
In association With Aichi International Women’s Film Festival (AIWFF)

Minwoo and Rie

Dir. Jinrung Chun | 2022 | 26:19 | drama | Japan
Rie, from Japan, visits Gunsan, Korea, to deliver her grandfather’s unsent letter. With a help of a local boy, Minwoo, she gets closer to the addressee yet acknowledges what her grandpa did during the period of Japanese colonialism.
In association with Tokyo Independent Movie Festival (TIMF)

The Old Young Crow

Dir. Liam LoPinto | 2022 | 12:00 | mystery, thriller, animation | Japan
An Iranian boy befriends an old Japanese woman at a graveyard in Tokyo.
In association with New York Japan CineFest: FilmFreeway

Shuhari

Dir. Tatsuya Ino | 2023 | 12:36 | documentary | Japan, USA
Second screening

Day Two – Saturday, November 4 at 3:30 p.m.

“Long Story to Short”

Blue and White

Dir. Hiroyuki Nishiyama | 2022 | 27:22 | documentary | Japan, USA
Ryusuke, mourning his wife, ceaselessly crafts salt, even during her funeral. Witnessing this, granddaughter Midori probes his motives. Safeguarding the region's unique salt-making legacy is Ryusuke's mission. In conversing with salt, he strives to pass down its ancient flavor. Could Ryusuke's bond with salt link him to his departed wife?

Scabiosa

Dir. Tsuyoshi Takamura | 2022 | 19:47 | drama | Japan
Haruka is unexpectedly asked to attend the memorial service for Instagrammer Hina. At the service, Hina's relatives share their memories of her. Unable to bear the situation any longer, Haruka runs from the scene.
In association with Short Shorts Film Festival & Asia [SSFF & ASIA]

Nisei

Dir. Darren Haruo Rae | 2023 | 21:18 | drama, action | USA
Based on stories from Rae’s grandfather, Nisei follows the journey of two Japanese American brothers during World War II, Minoru and John Miyasaki. Stripped of their citizenship and placed in internment camps, they volunteer for the 442nd Regimental Combat Team, an all-Japanese American unit that sacrificed everything to prove their loyalty to a country that didn’t want them. Torn between country and family, they must face the enemy overseas along with adversity back home.

Don’t Go

Dir. Daichi Amano | 2023 | 24:46 | drama | Japan
Enter a world where fragments of memory of the dead can be accessed using a special device. A father, who lied about his whereabouts, dies in a car accident in a seaside town. His bereaved family dives into his memory to uncover his secret.

About New York Japan CineFest

NYJCF was founded in 2012 by three Japanese producers based in New York: Yasu Suzuki, an actor, dancer, and filmmaker; film director Kosuke Furukawa; and Hiroshi Kono, CEO of Mar Creation, Inc. The festival highlights independent filmmakers who are committed to expressing their voice and vision to the world. Their mission is to explore and find unique talent, supporting filmmakers' work, vision, and causes while providing a playground for creativity in New York City. Since 2015, the film festival has been invited to screen its programs in multiple cities, including Boston; Washington, D.C.; Houston; Los Angeles; and San Francisco. Follow them on Instagram.

Susan McCormac 10/18/23 Susan McCormac 10/18/23

Celebrate Fall at The New York Buddhist Church

Aki Matsuri: Japanese Fall Festival

Saturday, October 21 from 11:00 a.m. until 3:30 p.m.

New York Buddhist Church – 331-332 Riverside Drive (between 105th and 106th Streets)

Admission: Free

The New York Buddhist Church is hosting Aki Matsuri: Japanese Fall Festival to commemorate their 85th Anniversary and the arrival of their new resident minister, Rev. Kurt Rye.

The festivities begin at 11:00 a.m. with a performance by the taiko drumming group Soh Daiko. Visitors can watch Japanese silent films and immerse themselves in the artistry of the Ikebana flower arranging demonstration. Children will be entertained by Japanese-style storytelling, known as Kamishibai. Attendees can engage in a moment of tranquility with "Present Moment," an interactive mandala and walking meditation experience. Japanese crafts, ceramics, textiles, and snacks will be available for purchase.

Celebrate the season as well as the 85th anniversary of this important community institution!

For more information, please visit the New York Buddhist Church’s website.

Exterior of the New York Buddhist Church with the statue of Shinran Shonin, founder of the Jodo-Shinshu Sect

Susan McCormac 10/17/23 Susan McCormac 10/17/23

Join the Kaede Scavenger Hunt and Search for the One Piece

Kaede Scavenger Hunt

Saturday, November 4 at 9:00 a.m.

Venue given upon registration

Admission: Free

Kaede Kimonos is hosting a special and exciting scavenger hunt throughout the city. They’re calling on all pirates to join, so read their message below and register today!

Message from Kaede Kimonos

Ahoy, New York City! On November 4th, gather your courage and join us for an epic adventure of a lifetime. This ain't your ordinary scavenger hunt – it's a treasure hunt fit for a true pirate!

Whether you're a solo pirate, a captain in search of a loyal crew, or a ready-made crew of three, this is your chance to experience the thrill of the Grand Line right here in the Big Apple.

As a solo pirate, conquer the challenges ahead, unravel mysteries, and claim your victory on your own terms. Embrace the spirit of freedom and cut through the waves of excitement!

Want to be a captain and build your very own crew along the way? Well, fear not, fellow explorer! Gather your “nakama” (that means “friends” in pirate-speak) and choose the captain option. Build your crew as you navigate uncharted territories, bond through teamwork, and unleash your pirate awesomeness!

And for those who are already a powerhouse team of three, set sail together and let your synergy shine! The dynamics of trust, camaraderie, and synchronized attacks will be your key to triumph on this unforgettable treasure hunt.

Expect mind-bending puzzles, cunning riddles, and challenges that will test your mettle. Immerse yourself in the world of One Piece as you uncover clues hidden across the city. This is your chance to step into the shoes of a real pirate and make memories that will last a lifetime!

So, mateys, don your pirate hats, grab your maps, and sign up for the pirate themed scavenger hunt on November 4th. Swords will clash, bounties will be claimed, and legends shall be written!

Head over to our website to secure your spot and choose your pirate path—solo, captain looking for his crew, or three-member crew. Get ready to embark on the adventure of a lifetime!

Remember, it's not just about the treasure, it's about the journey itself. Mark your calendars, assemble your crew, and prepare for the One Piece scavenger hunt in the heart of New York City. Don't miss out on this once-in-a-lifetime experience!

But just as a tease the One Piece treasure includes and XBOX S Series bundle and more.

So, are you ready to conquer The Grand Line? Join us on November 4th and let's set sail, New York!

P.S. – Don't let the Marines catch you.

Special Thanks to Senpai Project and Anubis House Productions.

NOTE: We are not affiliated with Toei Animations or Netflix, and this is not an official event put on by them.

Official Rules

All teams (Except Individual Captains), must have a minimum of 2 team members and a maximum of 3 members.
All teams/individuals must complete a waiver form to participate in the Scavenger Hunt.
If you are a minor, a parent or legal guardian must provide consent for you to participate.
Team members must remain together throughout the race and must check in at every checkpoint before and/or after each challenge (unless specified otherwise). You may not split up to “divide” Scavenger Hunt tasks or enlist others to help complete your tasks.
Individuals can add/recruit a team member along the way. Max team is 3. All recruiting must be done before the 5th Challenge.
All teams/individuals must be courteous and respectful to all participants and volunteers.
Each team/individual will be provided with a "Passport." The goal of the scavenger hunt is to complete all challenges and find the final location.
Scavenger Hunt clues are NOT required to be completed in order. However, teams or individuals must have all challenges completed before going to the final location
All teams have 8 hours to complete the race.
All teams must stop and get to the finish area by 6:00 p.m. and turn in team’s passport (full) to a volunteer at the Scavenger Hunt end.
There will be Marines searching for you. If you or a team member is caught. That person or crew will be "locked up" for 30 minutes. You will be able to continue after your release. The Marines will also get all the info you gathered to use to beat you to the end.

To register, please fill out this Google Form or visit Virtual Nippon’s Eventbrite page.

This listing is a paid advertisement on JapanCulture-NYC.com by Kaede Kimonos. If you’re interested in sponsorship and advertising opportunities, please send an email to info@japanculture-nyc.com.

Susan McCormac 10/16/23 Susan McCormac 10/16/23

CELEBRATION OF JAPANESE TEA

Chanoyu Week NYC 2023

Friday, October 20 through Sunday, November 19

Various Locations and Admission Prices (See schedule below)

Chanoyu is a traditional Japanese art form in which the tea master and guests gather in a tearoom for a ceremony centered around drinking powdered tea. Developed and intertwined with Zen philosophy, chanoyu aims to purify the human mind, promote a deep spiritual exchange with one another, and unite nature, people, and things.

Headed by New York-based Japanese tea master Yoshitsugu Nagano, Chanoyu Week aims to provide spiritual healing and enrichment through the spirit of Wa Kei Sei Jaku (和敬清寂): harmony, respect, purity, and tranquility, the philosophy of Chanoyu, and to contribute to the building of a stronger community in New York City by integrating various genres, cultures, and ideologies around the tea ceremony. Chanoyu Week NYC is the largest chanoyu festival in the United States.

Kenjutsu × Chanoyu – The Resonance of Stillness and Movement Created by the Samurai

Friday, October 20 from 5:30 p.m. until 6:30 p.m.

LINES NY – 302 Bowery (between Bleecker and Houston Streets)

Admission: $18.07 (includes fees)

A demonstration and dialogue between a sword master and a tea master, the opening of Chanoyu Week NYC 2023 will immerse attendees in the samurai’s search for a world where movement and stillness coexist in harmony. To reflect the essence of movement, Masami Shioda, master of Shinkage-ryu, one of Japan’s most famous sword arts, will demonstrate special sword kata forms. These flawless, physical techniques, passed down for more than 500 years, are not usually displayed in public.

After the captivating performance, the audience will experience the serenity of chanoyu with Yoshitsugu Nagano, a master of the samurai tea style Ueda Soko Ryu. Preparing matcha using ritualistic gestures and meticulous attention to detail, he reveals the world of “stillness” hidden within the warrior.

Together they will discuss the theme of “form” and related abstract sensibilities of spirituality and aesthetics. They will consider the mechanisms of transmitting a tradition from one individual to another and from one generation to another. They will also address why the samurai’s approach to human development through kata is still so important in contemporary Japanese society.

To register, please visit Chanoyu Week NYC’s Eventbrite page.

Chanoyu Week NYC 2023 Opening Reception

Friday, October 20 from 7:00 p.m. until 9:00 p.m.

LINES NY – 302 Bowery (between Bleecker and Houston Streets)

Admission: $23.41 (includes fees)

Chanoyu Week’s opening reception will feature demonstrations by Masami Shioda, master of Shinkageryu U.S. Marobashikai, Japan's most famous swordsmanship school, and tea master Yoshitsugu Nagano, followed by a discussion.

There will be a matcha stand, alcoholic beverages, and h’orderves. Bags containing commemorative goods will be handed out on a first-come, first-served basis.

To register, please visit Chanoyu Week NYC’s Eventbrite page.

Please note: The opening reception requires a separate registration from the 5:30 p.m. event, Kenjutsu and Chanoyu – The Resonance of Stillness and Movement Created by the Samurai.

Chashaku Carving Workshop: Make Your Own Tea Scoop

Tuesday, October 24 from 6:30 p.m. until 9:30 p.m.

RESOBOX East Village – 91 E. 3rd Street (at 1st Avenue)

Admission: $100 (Includes chashaku materials, use of carving tools, and matcha served after the workshop)

The chashaku, or tea scoop, is also referred to as “the sword of the tea master.” Beginning with Sen-no-Rikyu and Furuta Oribe, many tea masters have carved their own chashaku to express their personal aesthetic sense. These chashaku are known through historical record, and some survive to this day.

Just as a Zen monk puts their whole spirit into their brush when creating their work of calligraphy, and just as a warrior puts all their power into a single cut of the sword, the chashaku is the ultimate utensil that embodies the tea master’s soul.

You don’t need to be a tea master to make your own chashaku. Chanoyu Week NYC 2023 presents this lecture, workshop, and matcha-making session to offer you first-hand experience. Once you finish carving and are ready to enjoy tea, the final touch is naming your chashaku with a simple word that symbolizes your thoughts in this special moment.

Because of the use of knives and sharp tools for carving, this workshop is not recommended for young children. The organizers are not responsible for any injuries sustained during this workshop. Participants should wear comfortable clothing that may get messy during the carving process.

To register, please visit RESOBOX’s website.

Samurai Tea Ceremony "The Ritual of Kuchikiri 2023"

Saturday, October 28 from 10:30 a.m. until 12:30 p.m. or from 2:30 p.m. until 4:30 p.m.

Globus Washitsu – 889 Broadway, PHC (at E. 19th Street)

Admission: $129.89 (includes fees)

Enjoy the most prestigious tea ceremony!

While each month has its special characteristics, November is regarded as most important month of the chanoyu calendar. The “New Year” of the Japanese way of matcha tea is celebrated with the Kuchikiri ritual.

In Japan, tea leaves are harvested every May, dried, packed into the chatsubo (tea jar), and stored in a cool, dark place to mature for six months. The umami of the tea leaves deepens, just like aging wine or whiskey. During Kuchikiri, the tea master cuts the seal of the chatsubo with a sword in front of the guests and removes the tea leaves. The leaves are ground into matcha and served as koicha (thick matcha/formal matcha), so everyone tastes the new tea of the year together.

Kuchikiri has been handed down since ancient times as a very important ritual, though nowadays it is rarely performed.

To register, please visit Yoshitsugu Nagano’s Eventbrite page.

Reunion Between the Tunes of the Guqin and the Ritual of Matcha

Sunday, November 12 from 1:00 p.m. until 1:45 p.m. or from 3:00 p.m. until 3:45 p.m.

Fu Qiumeng Fine Art – 65 E. 80th Street, Ground Floor (between Park and Madison Avenues)

Admission: $34.12 (includes fees)

This event at Fu Qiumeng Fine Art offers a special opportunity to savor the sounds of ancient Guqin (Chinese lyre) music from the Northern Song Dynasty in China and witness a demonstration of the traditional matcha tea ceremony by tea master Yoshitsugu Nagano. The Guqin performance will be conducted by Liu Li, a renowned Guqin virtuoso and president of the New York Guqin Association.

The culture of matcha dates to the Northern Song Dynasty, approximately one thousand years ago. Emperor Huizong of the Northern Song Dynasty, known for his contributions to matcha culture, wrote the "Da Guan Tea Classic." He was also celebrated as a master of calligraphy, painting, and the Guqin. As you listen to the graceful melodies of the Guqin and savor the aroma of matcha, allow yourself to be transported back to the ancient Chinese capital a millennium ago.

To purchase tickets, please visit Chanoyu Week NYC’s Eventbrite page.