Kabuki, Noh, and More at Carnegie Hall
Discover the heritage and evolution of Noh and Kabuki theater, taiko drumming, the three-stringed shamisen, and more led by today’s foremost actors, musicians, and representatives of art forms that have been handed down and passionately studied for centuries.
An Evening of Traditional Japanese Arts
Friday, November 14 at 8:00 p.m.
Carnegie Hall | Stern Auditorium/Perelman Stage – 57th Street and 7th Avenue
Admission: $86.50 - $226
Carnegie Hall will be the site of a very special performance: An Evening of Traditional Japaense Arts. Discover the heritage and evolution of Noh and Kabuki theater, taiko drumming, the three-stringed shamisen, and more led by today’s foremost actors, musicians, and representatives of art forms that have been handed down and passionately studied for centuries.
Performers
Hirotada Kamei – Noh Musician
Denzaemon Tanaka – Kabuki Musician
Denjiro Tanaka – Kabuki Musician
Yoshimasa Kanze – Noh Actor
Takanobu Sakaguchi – Noh Actor
Saburota Kanze – Noh Actor
Hayato Nakamura – Kabuki Actor
Hiromitsu Agatsuma – Shamisen
Kouki Agatsuma – Shamisen
Masaru Tsuji – Wadaiko
Ryotaro Leo Ikenaga – Wadaiko
Suguha Otani – Japanese Dance
Yumi Kurosawa – Koto
Takuya Iwata – Shakuhachi
Yuichi Otsuki – Noh Actor
Manabu Takeichi – Noh Musician
Wakichi Kineya – Nagauta Singer
Chotatsuro Imafuji – Nagauta Shamisen
Gotaro Kineya – Nagauta Musician
Katsueiji Kineya – Nagauta Musician
Katsukuniharu Kineya – Nagauta Musician
Tatsujuro Imafuji – Nagauta Musician
Kan Fukuhara – Shinobue
The performance will last approximately two and a half hours with one 20-minute intermission. To purchase tickets, please visit Carnegie Hall’s website.
An Evening of Traditional Japanese Arts by Kosuke Yoshino
Sankyokai
Sankyokai (“Three Resonances”) is an ensemble dedicated to exploring new artistic possibilities through the sound of hayashi—the traditional musical accompaniment of Noh and Kabuki—by fusing the resonances of Japan’s two foremost traditional performing arts. Since its founding in 1997, the group has carried forward the spirit of classical performance while continuing to create sounds that transcend time.
The members are three brothers: Hirotada Kamei, head of the Kadono School of Noh Otsuzumi (large hand drum); Denzaemon Tanaka XIII, head of the Tanaka School of Kabuki music; and Denjiro Tanaka VII, also a Kabuki musician of the Tanaka School.
Their father, Tadao Kamei, was a Living National Treasure in Japan and head of the Kadono School of Noh drumming who performed at Carnegie Hall in 2016; their mother, Sataro Tanaka IX, was the head of the Tanaka School of Kabuki music. Born to parents who represented these two distinct classical traditions, the brothers literally embody the meeting point of Noh and Kabuki.
From early childhood, they grew up exploring boundaries seamlessly between the two worlds—Noh, with its 600-year-old spiritual rigor; and Kabuki, born 200 years later with its vivid theatricality. As they matured, each pursued his own professional path: the eldest, Hirotada, in Noh; the middle brother, Denzaemon, and the youngest, Denjiro, in Kabuki. Yet through years of training, they began to sense a shared desire: to discover a form of expression that could transition between these traditions without breaking their structure or form.
Out of this belief, Sankyokai was born. Three Resonances reflects both the trio’s instruments—Hirotada’s Otsuzumi, Denzaemon’s Kotsuzumi, and Denjiro’s Taiko—and their wish to create a unified resonance born from their individual spirits. From its inception, Sankyokai has sought to present the timeless allure of classical performance in a contemporary context, finding new vitality in the dialogue and contrast between Noh and Kabuki. Today, the three brothers continue their journey as performers, creators, and stewards of Japan’s classical heritage, carrying it forward into the future.
Glossary of Terms
If you are new to traditional Japanese arts, you may not be familiar with the terms in this post. Please refer to the brief primer below to get you up to speed.
Kabuki: Classical Japanese theater that combines singing, acting, and dramatic poses and is known for elaborate costumes and makeup. Although men have performed all the roles since the mid-17th century, kabuki was established by a woman, Izumo no Okuni, around the year 1603. In 2008, UNESCO inscribed kabuki in the Representative List of the Intangible Cultural Heritage of Humanity.
Noh: Japan’s oldest major theatrical art form, which has been performed since the 14th century. Based on literary tales, noh’s themes revolve around regret and spiritual transformation. Actors use masks to emphasize emotion and props such as folding fans to enhance the story.
Shamisen: Three-stringed, banjo-like instrument with a long neck and a distinct twangy sound. As one of the instruments providing accompaniment for kabuki, the shamisen enhances dramatic scenes and sets the mood. Originating in China, the Ryukyu Kingdom (what is now Okinawa Prefecture) introduced the instrument to mainland Japan in the mid-16th century.
Wadaiko: The traditional art of Japanese drumming, encompassing drums of a variety of sizes played by a group. Accompanying both kabuki and noh, wadaiko provides rhythm and sound effects and helps to create dramatic tension.
Japanese Dance: Known as Nihon buyo, traditional Japanese dance grew out of kabuki in the 17th century. It is a style of visual storytelling that incorporates refined movements and precise gestures.
Koto: The national instrument of Japan. The koto is a zither made of Paulownia wood and typically has 13 silk strings. Originally associated with gagaku, or court music, the koto is not standard in kabuki or noh.
Shakuhachi: Vertically held Japanese bamboo flute. First introduced from China in the 8th century, the shakuhachi was a staple in gagaku (court) music and later became used in Zen Buddhist meditation.
Nagauta: Genre of traditional Japanese music that literally means “long song.” Developed around the year 1740, nagauta is performed on shamisen to accompany kabuki. It is a lyrical style of music, focused more on expression rather than storytelling.
Shinobue: Japanese transverse bamboo flute with a high-pitched sound. In addition to its important role in kabuki and noh ensembles, the shinobue is integral to Shinto rituals as well as festivals and folk music.
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THE GINZA MALE CHORUS to Perform at Carnegie Hall
The Ginza Male Chorus performs an eclectic program of classical male choir standards, musical numbers, J-pop, anison (“anime songs”), and enka (traditional Japanese music with emotional ballads and nostalgic lyrics).
THE GINZA MALE CHORUS
Monday, May 19 at 7:30 p.m.
Zankel Hall at Carnegie Hall – 57th Street and 7th Avenue
Admission: Free (limit of 8 tickets per person)
The Ginza Male Chorus performs an eclectic program of classical male choir standards, musical numbers, J-pop, anison (“anime songs”), and enka (traditional Japanese music with emotional ballads and nostalgic lyrics).
To reserve tickets, please visit Carnegie Hall’s website.
THE GINZA MALE CHORUS
Program
Hattori – “Kotoryojyo”
Shuhei Hosaka – "Poem of Youth"
Takatomi Nobunaga – "Gunjo"
Hidetoshi Satoh – "Cruel Angel's Thesis"
C. Schönbert – "Do You Hear the People Sing?" from Les Misérables
Bob Chilcott – A Little Jazz Mass
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Soh Daiko Performance at LPAC
The East Coast’s first taiko drumming group will perform at LPAC as part of Carnegie Hall Citywide. Photo from Soh Daiko’s website.
Carnegie Hall Citywide: Soh Daiko
Saturday, March 29 at 3:00 p.m.
LaGuardia Performing Arts Center – 31-10 Thomson Avenue, Long Island City
Admission: Free
A Soh Daiko performance makes Japanese taiko drumming as exciting to see as it is to hear, with high-octane rhythms brought to life through vibrant choreography and athleticism. The ensemble layers in a wide-ranging world of sounds to complement the powerful drumming and the playing of bamboo flutes, brass bells, conch shells, gongs, and more. Experience taiko drumming like you never have before.
This event at LaGuardia Performing Arts Center (LPAC) is part of Carnegie Hall Citywide, an initiative through which Carnegie Hall partners with local community organizations to present free concerts that are sensational celebrations of sounds from across the country and around the globe. To RSVP to see Soh Daiko, please visit LPAC’s website.
Soh Daiko. Photo from sohdaiko.org
About Soh Daiko
Established in 1979, Soh Daiko is the first taiko drumming group on the East Coast of the United States. The band uses a variety of instruments, including bamboo flutes, brass bells, conch shells, gongs, African shekere in its performance of a variety of songs and pieces that are adapted from other musical styles.
Soh Daiko's performance is more than just playing drums; it also incorporates dynamic movement and choreography, demonstrating physical strength, endurance, and vitality, all of which contribute to the excitement of the taiko performance.
To learn more, please visit Soh Daiko’s website.
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Masayo Ishigure: Koto, Bass Koto, and Shamisen
Thursday, April 6 at 7:30 p.m.
Weill Recital Hall at Carnegie Hall – 57th Street and 7th Avenue
Admission: $40 to $50
Masayo Ishigure will perform a koto and shamisen recital to commemorate the 30th anniversary of her professional career in the United States. This program offers a glimpse into the history of Japanese music and can be enjoyed by a wide range of audiences.
Performers
Masayo Ishigure: Koto, Bass Koto, and Shamisen
Zac Zinger: Shakuhachi
Nathan Koci: Piano
Noriko Tsuboi: Koto and Bass Koto
Miyabi Koto and Shamisen Ensemble
Program
Tadao Sawai – "Sakura Sakura"
Tadao Sawai – "Ginga" ("Galaxy")
Zac Zinger – Untitled
Hikaru Sawai – "Gin-yu-ka" ("Minstrel Song")
Hideaki Matsumoto – "Chizuru / Whereabouts of the Wind"
Tadao Sawai – "Flying like a Bird"
To purchase tickets, please visit Carnegie Hall’s website.
Masayo Ishigure
About Masayo Ishigure
Masayo Ishigure began playing koto and jiuta shamisen at the age of five in Gifu Prefecture and later studied under Tadao and Kazue Sawai. In 1986 she became a special research student at Sawai Koto Institute. She moved to the U.S. in 1992 to teach koto and shamisen classes at Wesleyan University in Connecticut.
In 2005 she was invited to play the koto on the soundtrack of the Academy Award-winning film Memoirs of a Geisha with music by John Williams, Itzhak Perlman, Yo-Yo Ma, and others. Newsweek nominated Ishigure in the magazine’s 2007 issue of 100 Japanese People the World Respects. Late prime minister Shinzo Abe recognized her as one of five Japanese women active in New York. Ishigure taught koto classes at Columbia University from 2010 through 2021, and she gives private lessons in New York City.
About the Miyabi Koto and Shamisen Ensemble
Classical and contemporary Japanese koto and shamisen ensemble “MIYABI” was founded in 1996 in New York City as a branch of the Sawai Koto Academy of Japan. Led by Ishigure, repertoire ranges from classical to contemporary koto music. The founder of Sawai Koto Academy, Tadao Sawai, is known as one of the greatest players and composers of koto music in the 20th century.
The ensemble dedicates itself to playing Tadao Sawai‘s koto music. It has played many concerts in the New York Metropolitan area, the eastern United States, Hawaii, Australia, South America, and Japan.